reorg
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|
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---
|
||||
title: Aspektsehen — Atlas
|
||||
type: atlas
|
||||
tags:
|
||||
- aspekt
|
||||
- sehen-als
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- aspektwechsel
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- hase-ente
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---
|
||||
|
||||
# Aspektsehen — werkübergreifend
|
||||
|
||||
Das **Aspektsehen** ist ein **reines Spätphase-Thema** — fehlt in ABH und Tagebüchern völlig. Hauptort: **PPF Abschnitt xi** (ehem. PU Teil II). Werkstatt: **BPP I+II** und **LSPP I+II**.
|
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|
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## Häufigkeit (grep `Aspekt`)
|
||||
|
||||
| Werk | Treffer |
|
||||
|---|---:|
|
||||
| ABH | 0 |
|
||||
| TB | 0 |
|
||||
| PU Teil I | 4 (am Rand) |
|
||||
| Zettel | 0 |
|
||||
| **BPP** | **51** |
|
||||
| **LSPP** | **39** |
|
||||
| **PPF** | **10** (verdichtet) |
|
||||
| BGM | 13 |
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||||
| BB (engl. „aspect") | 8 |
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| BdF | 1 (anders) |
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||||
|
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## Hauptort: PPF Abschnitt xi
|
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PPF ist die redaktionelle Verdichtung des Materials aus BPP/LSPP. Abschnitt xi ist *das* Aspekt-Kapitel.
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**Schlüsselbegriffe und -bilder:**
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- Das **Hase-Ente-Bild** (von Joseph Jastrow, 1900).
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- „**Aspekt aufleuchten sehen**" — der Wechsel von einer Sehweise zur anderen.
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- **„Sehen-als" vs. „Sehen"**: keine Wahrnehmungsänderung, sondern eine Begriffsänderung.
|
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- **„Aspektblinde"** — wer den Aspektwechsel nicht erlebt.
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- **„Bedeutungserlebnis"** — verwandtes Phänomen.
|
||||
- **„Imponderabilien"** — das Sehen-als hat eine grammatische, keine physikalische Struktur.
|
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|
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**Zentrale Frage:** Ist Sehen-als ein Sehen oder ein Deuten? Wittgenstein: keines von beiden im üblichen Sinn — eine Spielart des Sehens, deren Grammatik anders ist.
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|
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## Werkstätten: BPP / LSPP
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### BPP
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- BPP I § 4 ff.: Aspekt-Wechsel, Vorder- und Hintergrund.
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- BPP I § 23–24: das Dreieck als A/B/C-Spitze sehen.
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- BPP I §§ 411–434: ausführliche Auseinandersetzung mit Aspekt-Wahrnehmung.
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- BPP I §§ 884–894: Aspektblinde.
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- BPP II §§ 343–390: Sehen-als und Erfahrung.
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### LSPP
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- LSPP I §§ 1–50: Aspektsehen weitergeführt.
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- LSPP II *Das Innere und das Äußere* — Aspekt als Beispiel für Innen/Außen-Verhältnisse.
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## BGM-Bezüge
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In BGM tritt „Aspekt" auf in Beweis-Kontext:
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- BGM III § 13 ff.: einen Beweis „so sehen, als ob" — der Aspektwechsel als Begreifen einer Beweisstruktur.
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- BGM VII § 47: einen Aspekt einer Figur wechseln (Geometrie).
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## ABH-Echo? Möglicherweise nicht-zufällig
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In der ABH ist „Aspekt" abwesend, aber **2.0123** („Ein Gegenstand kenne ich, wenn ich alle seine Möglichkeiten kenne") und **3.42** (logischer Raum) deuten eine Vor-Form der Idee an, dass jedes Element seinen Bezug zu allen anderen Möglichkeiten mitführt. Diese Vor-Form wird in der Spätphase als Aspekt-Phänomen weiterentwickelt — nicht historisch nachweisbar als Linie, aber inhaltlich verwandt.
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## Für das Buchprojekt
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- **Aspektsehen ist im Hauptbuch-Scope (ABH-Lektüre) nicht zentral.**
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- Aber: für die Frage „**Was bringt die Spätphase zum Bildbegriff bei?**" ist es der wichtigste Punkt — siehe `Atlas/bild-und-form.md` Spätphase-Linie.
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- Mögliche **Querverbindung** zur User-These „Beobachter ist Grenze, nicht außerhalb": das Aspektsehen zeigt, dass dasselbe phänomenale Material verschiedene Lesarten zulässt; dass die Sehweise zum Phänomen gehört, nicht zum Objekt davor. Strukturparallele zur ABH-Form-Frage.
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## Sekundärliteratur
|
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|
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- Mulhall, *On Being in the World: Wittgenstein and Heidegger on Seeing Aspects* (1990).
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- Schulte, *Erlebnis und Ausdruck* (1987).
|
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- Hark, *Beyond the Inner and the Outer* (1990).
|
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- Im Vault: keine Spezialarbeit; Kenny-Wittgenstein und McGinn behandeln das Thema randständig.
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@@ -0,0 +1,163 @@
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---
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||||
title: Bild und Form — Atlas
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type: atlas
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tags:
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- bild
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- form
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- bildtheorie
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- wittgenstein
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---
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# Bild und Form — werkübergreifend
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**Wie ändert sich Wittgensteins Bildbegriff von der ABH bis zu den Spätschriften?**
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|
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Grobe Beobachtung: „Bild" ist in jedem Werk präsent, aber die Funktion verschiebt sich:
|
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- **ABH**: Bild als logische Struktur (Sätze sind Bilder der Tatsachen);
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- **BB / PU**: Bilder *halten den Denker gefangen* — kritisches Konzept;
|
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- **PPF / BPP / LSPP**: Bilder als Phänomen-Beschreibung (Aspektsehen), Bildwahrnehmung;
|
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- **BGM**: das Bild eines Verfahrens, eines Beweises;
|
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- **BdF**: Farbe als „phänomenales Bild".
|
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|
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## Häufigkeitsmatrix (grep `Bild` / engl. `picture`)
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|
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| Werk | Treffer | Funktion |
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|---|---:|---|
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| Tagebücher 1914–1916 | 78 | Werkstatt der Bildtheorie |
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| ABH | 64 | **Hauptort der Bildtheorie** |
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| BB (engl. „picture") | 53 | „a picture held us captive" — kritisch |
|
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| PU | 110 | Augustinus-*Bild* (krit.); „ein Bild hielt uns gefangen" (PU § 115) |
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| Zettel | 80 | Quer; Bilder, die wir mit Worten verknüpfen |
|
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| BPP | 207 | **Häufigster Werkstattort**; Aspektbild |
|
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| LSPP | 113 | Fortsetzung BPP |
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| PPF | 55 | **Aspekt-Sehen**: Hase-Ente-Bild (Abschnitt xi) |
|
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| BGM | 126 | Beweisbild, Bild eines Rechenverfahrens |
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| BdF | 27 | Farbe als phänomenales Bild |
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| ÜG | 14 | Weltbild (§ 95: „Bild der Welt") |
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| VB | 22 | methodisch: „Vergleichsobjekte", „Vorbilder" |
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## Hauptstellen pro Werk
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||||
### ABH
|
||||
|
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Bildtheorie als zentrales Stück der **2er-Reihe** und **3er-Reihe**:
|
||||
|
||||
- **2.1** „Wir machen uns Bilder der Tatsachen."
|
||||
- **2.11** „Das Bild stellt die Sachlage im logischen Raume dar."
|
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- **2.12** „Das Bild ist ein Modell der Wirklichkeit."
|
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- **2.13–2.15** Konstituenten des Bildes (Elemente, Verbindung).
|
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- **2.151** Form der Abbildung.
|
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- **2.16** „Die Tatsache muss, um Bild zu sein, etwas mit dem Abgebildeten gemeinsam haben."
|
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- **2.17** „Was das Bild mit der Wirklichkeit gemein haben muss…": die Form der Abbildung.
|
||||
- **2.18** „Was jedes Bild, welcher Form immer, mit der Wirklichkeit gemein haben muss…": die logische Form.
|
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- **2.181–2.182** Bild als „logisches Bild"; jedes Bild ist auch ein logisches Bild.
|
||||
- **2.221** „Was das Bild darstellt, ist sein Sinn."
|
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- **2.223** „Um zu erkennen, ob das Bild wahr oder falsch ist, müssen wir es mit der Wirklichkeit vergleichen."
|
||||
- **3.01** „Die Gesamtheit der wahren Gedanken sind ein Bild der Welt."
|
||||
- **4.01** „Der Satz ist ein Bild der Wirklichkeit."
|
||||
- **4.011** „Auf den ersten Blick scheint der Satz … kein Bild von der Wirklichkeit zu sein…"
|
||||
- **4.012** „Offenbar nehmen wir den Satz von der Form ‚aRb' als Bild wahr."
|
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- **4.014–4.0141** Bild als Schallplatte / Notenschrift / Sprache.
|
||||
- **4.021** „Der Satz ist ein Bild der Wirklichkeit; denn ich kenne die durch ihn dargestellte Sachlage, wenn ich den Satz verstehe."
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|
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### Tagebücher 1914–1916
|
||||
|
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Hauptwerkstatt der Bildtheorie. Schlüsselbemerkungen:
|
||||
|
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- **20.10.1914**: erste Notiz zum „Paris-Modell" (Gerichtsverhandlung in Paris mit Spielzeugautos und Puppen, die einen Unfall rekonstruieren — Schlüsselszene der Bildtheorie-Entstehung).
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- **3.10.1914** ff.: Verhältnis Bild ↔ Tatsache.
|
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- **28.5.1915**: „Wir machen uns Bilder der Tatsachen" — die ABH-2.1-Formulierung.
|
||||
|
||||
### PU
|
||||
|
||||
Bilder werden kritisch behandelt:
|
||||
|
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- **§ 1**: Augustinus-Zitat als „dieses Bild der Sprache".
|
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- **§ 96**: „Der Satz, die Sprache, das Denken, die Welt — stehen einer hinter dem anderen, jedes dem andern äquivalent. (Aber wozu sollen diese Worte nun dienen?) Diese Voraussetzungen sind … einem Bild zugrunde gelegt."
|
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- **§ 109**: „Die Philosophie ist ein Kampf gegen die Verhexung unseres Verstandes durch die Mittel unserer Sprache."
|
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- **§ 115**: „**Ein Bild hielt uns gefangen.** Und heraus konnten wir nicht, denn es lag in unsrer Sprache, und sie schien es uns nur unerbittlich zu wiederholen."
|
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- **§ 422–427**: das Bild als Erklärungsmittel und als Quelle der Verwirrung.
|
||||
|
||||
### PPF
|
||||
|
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Aspektsehen — die Spätphase-Erweiterung des Bildbegriffs:
|
||||
|
||||
- **Abschnitt xi**: Das **Hase-Ente-Bild** (von Jastrow). Aspektsehen, Aspektwechsel, Bedeutungserlebnis, „den Aspekt aufleuchten sehen".
|
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- „Imponderabilien des Bildes" — Bild als nicht physikalisch reduzible Erscheinung.
|
||||
|
||||
### BPP / LSPP
|
||||
|
||||
Werkstätten zum Aspektbild. Hauptbemerkungen über:
|
||||
- Sehen eines Bildes als Erkennen einer Struktur.
|
||||
- Vergleich Bild ↔ Schmerzempfindung ↔ Bedeutungserlebnis.
|
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- Bilder, die wir spontan deuten vs. Bilder, die wir bewusst auslegen.
|
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|
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### BGM
|
||||
|
||||
Bild des Beweisverfahrens:
|
||||
- Beweis als „Bild eines Übergangs".
|
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- Bild der Regel: „und wenn ich die Regel anwende, lege ich ein Bild zugrunde."
|
||||
- Bilder gegenüber Berechnungen.
|
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|
||||
### BdF
|
||||
|
||||
Farben als phänomenale „Bilder":
|
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- I § 4–6: das Farbenraum-Modell.
|
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- II § 2–6: durchsichtige vs. undurchsichtige Farben — strukturelle Bilder.
|
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- III § 86 ff.: Goethes Farbenlehre als „phänomenologisches Bild", nicht physikalische Theorie.
|
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|
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### ÜG
|
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|
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- **§ 94**: „Aber mein Weltbild habe ich nicht durch Überzeugung von seiner Richtigkeit; nicht durch Überzeugung von seinem Wert. Es ist der überkommene Hintergrund, auf welchem ich zwischen wahr und falsch unterscheide."
|
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- **§ 95–99**: das Bild des Flussbettes / der festen Sätze.
|
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|
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### VB
|
||||
|
||||
Methodische Bemerkungen zum Bild:
|
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- Bild als „Vergleichsobjekt" (paralleler Begriff zu PU § 130–131).
|
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- „Ein Vorbild, das uns vorschwebt" — als kritischer Begriff.
|
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|
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## Form / logische Form — Häufigkeitsmatrix
|
||||
|
||||
| Werk | Treffer |
|
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|---|---:|
|
||||
| ABH | 76 |
|
||||
| BB (engl. „form") | 68 |
|
||||
| BGM | 59 |
|
||||
| BPP | 55 |
|
||||
| PU | 53 |
|
||||
| TB | 45 |
|
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| LSPP | 25 |
|
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| Zettel | 18 |
|
||||
|
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### ABH-Hauptstellen zu „Form"
|
||||
|
||||
- **2.0233** „Zwei Gegenstände von der gleichen logischen Form sind … durch ihre Form unterschieden."
|
||||
- **2.0271** „Der Gegenstand ist das Feste, Bestehende; die Konfiguration ist das Wechselnde, Unbeständige."
|
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- **2.025** „Sie [die Substanz] ist Form und Inhalt."
|
||||
- **2.033** „Die Form ist die Möglichkeit der Struktur."
|
||||
- **2.151** „Die Form der Abbildung ist die Möglichkeit, dass sich die Dinge so zueinander verhalten, wie die Elemente des Bildes."
|
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- **2.171** „Das Bild kann jede Wirklichkeit abbilden, deren Form es hat."
|
||||
- **2.172** „Seine Form der Abbildung aber kann das Bild nicht abbilden; es weist sie auf."
|
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- **2.18** „Was jedes Bild, welcher Form immer, mit der Wirklichkeit gemein haben muss, um sie überhaupt — richtig oder falsch — abbilden zu können, ist die logische Form, das ist, die Form der Wirklichkeit."
|
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- **4.12** „Der Satz kann die gesamte Wirklichkeit darstellen, aber nicht das, was er mit der Wirklichkeit gemein haben muss, um sie darstellen zu können — die logische Form."
|
||||
- **4.121** „Was sich in der Sprache spiegelt, kann sie nicht darstellen. Was sich *in* der Sprache ausdrückt, können *wir* nicht durch sie ausdrücken."
|
||||
|
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### PU-Reflexe
|
||||
|
||||
PU geht von der „logischen Form" ab und ersetzt sie durch die **Familie der Sprachspiele**:
|
||||
- **§ 23** Liste der Sprachspiele: Befehlen, Erzählen, Schauspielern, Witzemachen … „die Vielfalt der Sprachspiele" als Antwort auf die ABH-These der einen logischen Form.
|
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- **§ 65–67**: Familienähnlichkeit als Ersatz für eine gemeinsame Form.
|
||||
|
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## Übergreifende These (als Hypothese für das Buchprojekt)
|
||||
|
||||
Wittgensteins „Bild" ist nie nur ein technischer Begriff der ABH, sondern ein **methodisches Werkzeug, das er sein Leben lang testet**:
|
||||
- In ABH **konstitutiv**: Sätze *sind* Bilder.
|
||||
- In BB/PU **kritisch**: Bilder, die wir mit unseren Worten verknüpfen, *halten uns gefangen*.
|
||||
- In BPP/PPF/LSPP **phänomenologisch**: Bilder *als gesehen* — Aspektsehen.
|
||||
- In BGM **operativ**: das Bild des Beweises, der Regelanwendung.
|
||||
- In BdF **strukturell-grammatisch**: das Bild der Farbordnung.
|
||||
|
||||
Die Linie „Form" zeigt eine ähnliche Entwicklung: in ABH **die logische Form** (eine), in PU **Familien von Formen**, in BdF und BGM **innere Verhältnisse / grammatische Strukturen**.
|
||||
|
||||
Wichtige Konsequenz: Wer „Bildtheorie" sagt, muss sagen, welches Wittgenstein-Werk gemeint ist. Die ABH-Bildtheorie ist nicht die PU-Bilder, und beide sind nicht das Aspektbild der PPF.
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@@ -0,0 +1,84 @@
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---
|
||||
title: Ethik und Mystisches — Atlas
|
||||
type: atlas
|
||||
tags:
|
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- ethik
|
||||
- mystisches
|
||||
- schweigen
|
||||
- religion
|
||||
---
|
||||
|
||||
# Ethik und Mystisches — werkübergreifend
|
||||
|
||||
Ein **früh und spät präsentes Thema**, aber unterschiedlich behandelt:
|
||||
- **ABH**: kurz und endgültig (6.4er-Reihe + 7).
|
||||
- **Tagebücher 1914–1916**: ausführlich, mit religiösen Notizen.
|
||||
- **Vortrag über Ethik 1929**: einziger eigenständiger Aufsatz.
|
||||
- **Vermischte Bemerkungen**: streiflichtartig, durchgängig.
|
||||
- **Späte Hauptwerke (PU, BGM, ÜG)**: praktisch abwesend.
|
||||
|
||||
## ABH — Hauptort
|
||||
|
||||
**6.4er-Reihe** + Schluss.
|
||||
|
||||
- **6.41**: „Der Sinn der Welt muss außerhalb ihrer liegen. … In ihr gibt es keinen Wert."
|
||||
- **6.42**: „Darum kann es auch keine Sätze der Ethik geben. Sätze können nichts Höheres ausdrücken."
|
||||
- **6.421**: „Es ist klar, dass sich die Ethik nicht aussprechen lässt. Die Ethik ist transzendental. (Ethik und Ästhetik sind Eins.)"
|
||||
- **6.422**: „Der erste Gedanke bei der Aufstellung eines ethischen Gesetzes von der Form 'du sollst …' ist: und was dann, wenn ich es nicht tue?"
|
||||
- **6.43**: „Wenn das gute oder böse Wollen die Welt ändert, so kann es nur die Grenzen der Welt ändern, nicht die Tatsachen … Die Welt des Glücklichen ist eine andere als die des Unglücklichen."
|
||||
- **6.44**: „Nicht *wie* die Welt ist, ist das Mystische, sondern *dass* sie ist."
|
||||
- **6.45**: „Die Anschauung der Welt sub specie aeterni ist ihre Anschauung als — begrenztes — Ganzes."
|
||||
- **6.522**: „Es gibt allerdings Unaussprechliches. Dies *zeigt* sich; es ist das Mystische."
|
||||
- **6.54**: „Meine Sätze erläutern dadurch, dass sie der, welcher mich versteht, am Ende als unsinnig erkennt …"
|
||||
- **7**: „Wovon man nicht sprechen kann, darüber muss man schweigen."
|
||||
|
||||
## Tagebücher 1914–1916
|
||||
|
||||
Ausführliche religiöse und ethische Bemerkungen, vor allem während der Kriegszeit. Hauptpassagen:
|
||||
|
||||
- **1916** (Juli–August): „Ich habe an Gott gedacht. Daß ich Gott unterwürfig bin." (Codierte Bemerkung.)
|
||||
- **8.7.1916** ff.: „An einen Gott glauben heißt sehen, dass es mit den Tatsachen der Welt noch nicht abgetan ist."
|
||||
- Das gesamte Material zu „Welt", „Glücklicher Mensch", „Sinn des Lebens" liegt hier sehr offen — in der ABH zusammengezogen auf die 6.4er-Reihe.
|
||||
|
||||
## Vortrag über Ethik (1929)
|
||||
|
||||
**Wittgensteins einziger eigenständiger Vortrag zur Ethik.**
|
||||
|
||||
- Definiert „absoluten" gegenüber „relativen" Wert: relative Sätze („Dies ist ein guter Stuhl") sind klar; absolute Sätze („Dies ist absolut gut") sind unklar.
|
||||
- **Drei Beispiele für ethisches Erleben**:
|
||||
1. „Erfahrung der absoluten Sicherheit" (sich nichts kann mir passieren).
|
||||
2. „Wunder, dass die Welt existiert" — Verwunderung über das Sein.
|
||||
3. Schuld-Empfinden, das absolut ist.
|
||||
- Wittgensteins Schlussfolgerung: ethische Sätze „running against the boundaries of language". Sie sind unsinnig — aber kein gewöhnlicher Unsinn, sondern ein „Stoßen an Grenzen".
|
||||
- Verbindung zur ABH 6.421: „Ethik ist transzendental."
|
||||
|
||||
## Vermischte Bemerkungen — streiflichtartig
|
||||
|
||||
VB enthält über alle Lebensphasen hinweg ethische, religiöse, ästhetische Bemerkungen. Schlüssel-Cluster:
|
||||
|
||||
- 1929–1937 (Schreibens-Beginn der mittleren Phase): viele Bemerkungen zur eigenen Aufrichtigkeit, Schreibmethode, Glaubensfrage.
|
||||
- 1947–1948 (späte Cambridge-Zeit): Bemerkungen zu Kierkegaard.
|
||||
- VB durchgehend: „Wenn Gott dich nicht hinunterstößt, so wird dich niemand hinunterstoßen können." — die Idee, dass Religion sich nicht aus Lehrsätzen, sondern aus einer Lebensweise zeigt.
|
||||
|
||||
## Bemerkungen über Frazer (1931)
|
||||
|
||||
Ethnologische Bemerkungen zu Magie und Religion. Wichtige Punkte:
|
||||
|
||||
- Wittgenstein gegen Frazers Reduktion magischer Praktiken auf „falsche Wissenschaft".
|
||||
- Religion und Magie sind „**Bilder einer Lebensform**", nicht primitive Erklärungsversuche.
|
||||
- Methodische Pointe: nicht erklären, sondern „**übersichtlich darstellen**".
|
||||
|
||||
## Vorlesungen über religiösen Glauben (Cambridge 1938)
|
||||
|
||||
(Nicht im Vault enthalten, aber im Kontext relevant — siehe Klagge/Nordmann, *Philosophical Occasions* 1993.)
|
||||
|
||||
## Spätschriften — fast abwesend
|
||||
|
||||
PU, BGM, ÜG: praktisch keine ethischen Bemerkungen. Das Schweigen ist hier nicht „Mystik" wie in der ABH, sondern Folge der methodischen Selbstbeschränkung.
|
||||
|
||||
## Für das Buchprojekt
|
||||
|
||||
- ABH-Schluss (6.4er + 7) ist Teil des Hauptbuchs als „**negative Ethik**" (siehe `ideenpool/topics/negative-ethik.md`).
|
||||
- Vortrag über Ethik liefert die einzige eigenständige Selbst-Exposition Wittgensteins. **Pflicht-Referenz für den Epilog.**
|
||||
- VB liefert das biographische Material — sparsam einsetzen.
|
||||
- Frazer-Bemerkungen sind für die *Methodenfrage* wichtig: „übersichtliche Darstellung" gilt für Ethik wie für Magie und für Philosophie überhaupt.
|
||||
@@ -0,0 +1,71 @@
|
||||
---
|
||||
title: Innen / Außen / Empfindung — Atlas
|
||||
type: atlas
|
||||
tags:
|
||||
- innen
|
||||
- außen
|
||||
- empfindung
|
||||
- schmerz
|
||||
- privatsprache
|
||||
---
|
||||
|
||||
# Innen / Außen / Empfindung — werkübergreifend
|
||||
|
||||
**Spätphasen-Komplex**, beginnend mit dem **Privatsprachen-Argument** in PU §§ 243 ff. und in BPP/LSPP weiter ausgearbeitet. **In ABH und TB nicht präsent.**
|
||||
|
||||
## Häufigkeit
|
||||
|
||||
| Werk | Schmerz | Empfindung |
|
||||
|---|---:|---:|
|
||||
| ABH | 0 | 0 |
|
||||
| TB | 0 | 0 |
|
||||
| PU | 31 | 36 |
|
||||
| Zettel | 24 | 21 |
|
||||
| **BPP** | **67** | **56** |
|
||||
| **LSPP** | **33** | **11** |
|
||||
| PPF | 6 | 10 |
|
||||
| BdF | 4 | 0 |
|
||||
|
||||
## PU — Privatsprachen-Argument
|
||||
|
||||
**Sieben Abschnitte (§§ 243–315)** sind der Kern.
|
||||
|
||||
- **§ 243**: könnte es eine Sprache geben, „in der Einer für seinen privaten Gebrauch seine inneren Erlebnisse … aufschreiben könnte"?
|
||||
- **§ 244**: wie verbindet sich das Wort mit der Empfindung? Antwort: durch Lernen, durch Verhalten — nicht durch innere Benennung.
|
||||
- **§ 256–258**: die berühmte „**S-Tagebuch**"-Geschichte. Versuch, ein privates Zeichen für eine Empfindung einzuführen — scheitert, weil kein Kriterium der richtigen Anwendung möglich ist.
|
||||
- **§ 270**: ein Empfindungswort funktioniert nur, wenn etwas außerhalb der Empfindung über die Anwendung entscheidet — etwa Blutdruckmessung.
|
||||
- **§ 293**: das „**Käfer im Schachtel**"-Argument. Wenn jeder einen Käfer in seiner Schachtel hat, von dem niemand weiß, ob er dem anderen gleicht: das Wort „Käfer" hat eine Verwendung, *unabhängig von dem Inhalt der Schachtel*.
|
||||
- **§ 304**: „Aber Du wirst doch zugeben, daß ein Unterschied ist zwischen Schmerzbenehmen mit Schmerzen und Schmerzbenehmen ohne Schmerzen." — „**Ja, eine größere als …**". Wittgensteins Antwort: nicht Leugnung des Inneren, sondern Klärung der Grammatik.
|
||||
|
||||
## BPP / LSPP — Werkstätten
|
||||
|
||||
- **BPP I §§ 130–180**: Schmerz und Schmerzausdruck.
|
||||
- **BPP I §§ 280–340**: Empfindung und Verhalten.
|
||||
- **BPP I §§ 858–874**: Aspektsehen und das Sehen einer Empfindung.
|
||||
- **BPP II §§ 543–700**: das Innere und das Äußere.
|
||||
- **LSPP II durchgängig**: *Das Innere und das Äußere* — Titel-Thema. Schlüsselbemerkung gleich am Anfang: ein Stamm, der den Begriff der geheuchelten Schmerzen nicht kennt — was bedeutet das?
|
||||
- **LSPP II § 38 ff.**: Imponderabilien — das Innere lässt sich nicht durch Außenkriterien erschließen, aber auch nicht aus dem Außen ausschließen.
|
||||
|
||||
## Zettel
|
||||
|
||||
- Z 380 ff.: Schmerz, Empfindung, Bezeichnung.
|
||||
- Z 472 ff.: das Innere ist nicht eine Sache, die wir „in uns finden", sondern das Korrelat eines Sprachspiels.
|
||||
|
||||
## ÜG (am Rand)
|
||||
|
||||
- ÜG § 7: „Mein Leben besteht darin, dass ich mich mit manchem zufriedengebe."
|
||||
- Aber: ÜG behandelt **Sicherheit**, nicht primär Empfindung.
|
||||
|
||||
## ABH-Echo?
|
||||
|
||||
In der ABH ist die Innen/Außen-Frage **nicht thematisiert**, aber strukturell vorgeformt:
|
||||
- **5.631**: „Das denkende, vorstellende Subjekt gibt es nicht."
|
||||
- **5.641**: das philosophische Ich = Grenze, nicht Bewohner der Welt.
|
||||
|
||||
Die Spätphase-Innen/Außen-Diskussion *ersetzt* die ABH-Solipsismus-Diskussion: nicht „wo ist das Ich?", sondern „wie funktionieren die Wörter für innere Vorgänge?".
|
||||
|
||||
## Für das Buchprojekt
|
||||
|
||||
- Im **Hauptbuch-Scope** nicht primär.
|
||||
- Aber als **Verwandter der Solipsismus-Frage** relevant: PU/BPP/LSPP machen explizit, was in der ABH-5.6er-Reihe nur angedeutet ist — die Frage „mein Ich" ist eine grammatische, nicht eine substantielle Frage.
|
||||
- Querverbindung zur User-These „Solipsismus = empirische Tautologie": derselbe Punkt, anders durchgeführt — in der ABH metaphysisch knapp, in der PU sprachphilosophisch ausführlich.
|
||||
@@ -0,0 +1,90 @@
|
||||
---
|
||||
title: Mathematik — Atlas
|
||||
type: atlas
|
||||
tags:
|
||||
- mathematik
|
||||
- operation
|
||||
- funktion
|
||||
- beweis
|
||||
- regel
|
||||
---
|
||||
|
||||
# Mathematik — werkübergreifend
|
||||
|
||||
**Hauptorte:** ABH (5er-Reihe: Wahrheitsfunktionen, Operationen) und **BGM**. Mathematische Bemerkungen finden sich aber durchgehend in der Spätphase.
|
||||
|
||||
## Häufigkeit (grep)
|
||||
|
||||
| Werk | Mathematik | Beweis | Operation | Funktion | Regel |
|
||||
|---|---:|---:|---:|---:|---:|
|
||||
| ABH | 12 | 7 | **25** | 14 | 5 |
|
||||
| TB | 8 | 2 | 23 | 16 | 4 |
|
||||
| **BGM** | **176** | **250** | **10** | 13 | **215** |
|
||||
| PU | 6 | 3 | 0 | 12 | 49 |
|
||||
| Zettel | 7 | 2 | 0 | 7 | 22 |
|
||||
| ÜG | 7 | 6 | 1 | 3 | 17 |
|
||||
| BPP | 9 | 6 | 1 | 8 | 20 |
|
||||
| LSPP | 11 | 5 | 0 | 6 | 5 |
|
||||
|
||||
## ABH — Operationen und Wahrheitsfunktionen
|
||||
|
||||
**5er-Reihe ist der mathematische Kern der ABH.**
|
||||
|
||||
- **5.1–5.101**: Wahrheits-Tafeln, Wahrheits-Funktionen der Elementarsätze.
|
||||
- **5.2–5.254**: **Operationen**. „Die Strukturen der Sätze stehen in internen Beziehungen zu einander. … Diese Beziehung … nenne ich die Operation."
|
||||
- **5.232**: „Die interne Relation … vermittelt zwischen einer Reihe von Sätzen."
|
||||
- **5.234**: „Die Wahrheits-Funktionen der Elementarsätze sind Resultate von Operationen."
|
||||
- **5.25–5.254**: Operation als das, was den Übergang von einem Satz zum andern beschreibt; **Operation ≠ Funktion**.
|
||||
- **5.251**: „Eine Funktion kann nicht ihr eigenes Argument sein, wohl aber kann das Resultat einer Operation ihre eigene Basis werden."
|
||||
- **5.252**: „Nur so ist das Fortschreiten von Glied zu Glied in einer Formenreihe … möglich. (Frege und Russell haben diese Möglichkeit übersehen…)"
|
||||
- **5.4**: „Es gibt keine logischen Gegenstände."
|
||||
- **5.41**: „Denn: alle Resultate von Wahrheitsoperationen mit Wahrheitsfunktionen sind identisch, welche eine und dieselbe Wahrheitsfunktion von Elementarsätzen sind."
|
||||
- **5.5**: die allgemeine Form des Satzes als Wahrheitsoperation auf Elementarsätzen.
|
||||
- **6.0–6.031**: die allgemeine Form der Zahl als Operation.
|
||||
- **6.022**: „Der Begriff der Zahl ist nichts anderes, als das, was allen Zahlen gemeinsam ist, die allgemeine Form der Zahl."
|
||||
- **6.03–6.031**: Mengenlehre als Übersehene-Unterscheidung. **6.031**: „Die Theorie der Klassen ist in der Mathematik ganz überflüssig. Dies hängt damit zusammen, dass die Allgemeinheit, welche wir in der Mathematik brauchen, nicht die zufällige ist."
|
||||
|
||||
## BGM — Hauptwerk
|
||||
|
||||
Drei thematische Schwerpunkte:
|
||||
|
||||
### 1. Regel und Regelfolgen
|
||||
|
||||
- **BGM I §§ 1–4**: Was heißt es, dass eine Regel einen Übergang „bestimmt"? Hauptbeispiel: „die Formel y = x²" als Anweisung an die Schüler.
|
||||
- **BGM VI §§ 1–48**: ausführliche Diskussion des Regelfolgens, parallel zu PU §§ 185–242.
|
||||
- Bezug zur **PU**: Die Regelfolgen-Diskussion ist in BGM (philosophisch) und PU (sprachphilosophisch) das gleiche Thema, von zwei Seiten beleuchtet.
|
||||
|
||||
### 2. Beweis
|
||||
|
||||
- **BGM III §§ 1–90**: Beweis als „Bild eines Übergangs". Beweis erzeugt einen Begriff, nicht eine Erkenntnis.
|
||||
- **BGM IV §§ 1–53**: Konsistenz, Widerspruchsfreiheit. Wittgensteins berühmte Position: „Wenn ein Widerspruch auftritt, dann gibt das einfach Anlass, das Spiel zu ändern."
|
||||
- **BGM VII**: Mathematische Analogien als Sprachspiele.
|
||||
|
||||
### 3. Gödel
|
||||
|
||||
- **BGM I § Anhang**: erste Gödel-Bemerkungen.
|
||||
- **BGM VII §§ 19–22**: ausführliche Gödel-Diskussion. Wittgenstein bestreitet die *philosophische* Tragweite von Gödels Beweis: Gödels Satz ist innerhalb seines Systems wahr, aber zu sagen „er ist wahr und unbeweisbar" verlässt das System.
|
||||
- Wittgensteins Gödel-Bemerkungen sind in der Forschung extrem kontrovers (Bernays, Dummett, später Floyd/Putnam).
|
||||
|
||||
### 4. Cantor / Diagonalverfahren
|
||||
|
||||
- **BGM II §§ 1–22**: das Diagonalverfahren. Wittgenstein versteht Cantors Beweis als Erzeugung eines neuen Begriffs („überabzählbar"), nicht als Entdeckung einer existierenden Größenklasse.
|
||||
|
||||
## TB — frühe Operationsbemerkungen
|
||||
|
||||
Sept./Okt. 1914: Wittgenstein arbeitet an der Logik. Operation, Funktion, Wahrheitsfunktion werden in den TB Schritt für Schritt entwickelt.
|
||||
|
||||
## Sekundärlit für den Funktion-vs-Operation-Streit
|
||||
|
||||
Krafts ABH-Lesart, Wittgenstein-Mathematik-Forschung:
|
||||
- **Mühlhölzer, Florian**: *Braucht die Mathematik eine Grundlegung?* (2010) — *die* Referenz für die heutige Lesart der BGM.
|
||||
- **Maddy**, *Realism in Mathematics* (1990) und spätere Arbeiten.
|
||||
- **Floyd**, „Wittgenstein on Mathematics" in Crary/Read, *The New Wittgenstein* (2000).
|
||||
- **Mancosu** (Hrsg.), *Visualization, Explanation and Reasoning Styles in Mathematics* (2005).
|
||||
|
||||
## Für das Buchprojekt
|
||||
|
||||
- **Funktion vs. Operation** ist eine der **drei tragenden Säulen des Hauptbuchs** (siehe `ideenpool/topics/funktion-operation.md` — Schlüssel-Lücke!).
|
||||
- ABH 5.2 ff. und 6.0 ff. sind die Kernstellen. BGM liefert die Vertiefung — aber nur als Folgeband ausarbeiten, nicht im Hauptbuch.
|
||||
- **Russell-Kritik** in 5.252 und 6.031 ist der Schlüssel.
|
||||
- Cantor/Gödel kommen im Hauptbuch nur als didaktische Illustration vor; siehe `ideenpool/topics/mathematik-cantor-goedel.md`.
|
||||
@@ -0,0 +1,67 @@
|
||||
---
|
||||
title: Methode — Atlas
|
||||
type: atlas
|
||||
tags:
|
||||
- methode
|
||||
- philosophie
|
||||
- übersichtliche-darstellung
|
||||
- therapie
|
||||
---
|
||||
|
||||
# Methode — werkübergreifend
|
||||
|
||||
**Wittgensteins Methodenkonzept ändert sich zwischen ABH und PU radikal — und ist in beiden Phasen explizit thematisiert.**
|
||||
|
||||
## ABH
|
||||
|
||||
- **Vorwort**: „Das Buch will also dem Denken eine Grenze ziehen, oder vielmehr — nicht dem Denken, sondern dem Ausdruck der Gedanken."
|
||||
- **4.111**: „Die Philosophie ist keine der Naturwissenschaften. (Das Wort 'Philosophie' muss etwas bedeuten, was über oder unter, aber nicht neben den Naturwissenschaften steht.)"
|
||||
- **4.112**: „Der Zweck der Philosophie ist die logische Klärung der Gedanken. Die Philosophie ist keine Lehre, sondern eine Tätigkeit. Ein philosophisches Werk besteht wesentlich aus Erläuterungen. Das Resultat der Philosophie sind nicht 'philosophische Sätze', sondern das Klarwerden von Sätzen."
|
||||
- **4.114**: „Sie soll das Denkbare abgrenzen und damit das Undenkbare."
|
||||
- **4.115**: „Sie wird das Unsagbare bedeuten, indem sie das Sagbare klar darstellt."
|
||||
- **6.53**: „Die richtige Methode der Philosophie wäre eigentlich die: Nichts zu sagen, als was sich sagen lässt, also Sätze der Naturwissenschaft … und dann immer, wenn ein anderer etwas Metaphysisches sagen wollte, ihm nachzuweisen, dass er gewissen Zeichen in seinen Sätzen keine Bedeutung gegeben hat."
|
||||
- **6.54**: „**Leiter-Bild** — Meine Sätze erläutern dadurch, dass sie der, welcher mich versteht, am Ende als unsinnig erkennt, wenn er durch sie — auf ihnen — über sie hinausgestiegen ist. (Er muss sozusagen die Leiter wegwerfen, nachdem er auf ihr hinaufgestiegen ist.)"
|
||||
|
||||
## PU
|
||||
|
||||
- **Vorwort**: „Es war meine Absicht zuerst, dies alles einmal in einem Buch zusammenzufassen … Aber meine Anstrengungen, alles zu einem Ganzen zu binden, blieben erfolglos. — Und das war natürlich mit der Natur der Untersuchung selbst verbunden."
|
||||
- **§ 89–133**: zentrales **Methoden-Cluster**.
|
||||
- **§ 89**: „In welchem Sinne ist die Logik etwas Erhabenes?"
|
||||
- **§ 109**: „**Die Philosophie ist ein Kampf gegen die Verhexung unseres Verstandes durch die Mittel unserer Sprache.**"
|
||||
- **§ 122**: „Ein Hauptgrund unsers Unverständnisses ist, dass wir die Verwendung unsrer Wörter nicht *übersehen*. — Unsrer Grammatik fehlt es an Übersichtlichkeit. … Daher die Wichtigkeit des Findens und des Erfindens von **Zwischengliedern**."
|
||||
- **§ 123**: „Ein philosophisches Problem hat die Form: 'Ich kenne mich nicht aus.'"
|
||||
- **§ 124**: Die Philosophie soll den tatsächlichen Sprachgebrauch in keiner Weise antasten.
|
||||
- **§ 127**: „Die Arbeit des Philosophen ist ein Zusammentragen von Erinnerungen zu einem bestimmten Zweck."
|
||||
- **§ 128**: „Wollte man Thesen in der Philosophie aufstellen, es könnte nie zur Diskussion kommen, weil alle ihnen zustimmen würden."
|
||||
- **§ 129**: „Die für uns wichtigsten Aspekte der Dinge sind durch ihre Einfachheit und Alltäglichkeit verborgen."
|
||||
- **§ 130**: „Die Sprachspiele stehen vielmehr da als Vergleichsobjekte."
|
||||
- **§ 133**: „Klarheit, die wir anstreben, ist allerdings eine *vollkommene* Klarheit. Aber das heißt nur, dass die philosophischen Probleme *vollkommen* verschwinden sollen."
|
||||
|
||||
## BüF (1931) — methodische Pointe
|
||||
|
||||
- „**Eine Hypothese ist hier ganz unnötig.** Es ist nichts an dem, was ich verstehen will, dunkel oder unklar."
|
||||
- „Die übersichtliche Darstellung vermittelt das Verständnis, welches eben darin besteht, daß wir die 'Zusammenhänge sehen'."
|
||||
|
||||
## VB — Selbstreflexionen zur Methode
|
||||
|
||||
- „Es ist nicht unwichtig, dass die Wahrheit … schwierig zu sagen ist."
|
||||
- „Man könnte sagen: 'Genie ist Mut zur Begabung'."
|
||||
- „Was du sagst, gewinnt seine Bedeutung von dem, was du sonst tust."
|
||||
- Mehrere Bemerkungen zum **Schreiben als Disziplin**, zum Verzicht auf System.
|
||||
|
||||
## Brücke ABH ↔ PU
|
||||
|
||||
| ABH-Methode | PU-Methode |
|
||||
|---|---|
|
||||
| Grenze ziehen (Vorwort, 4.114) | Übersichtliche Darstellung (§ 122) |
|
||||
| Logische Klärung (4.112) | Therapie der Verhexung (§ 109) |
|
||||
| Erläuterung (4.112) | Zusammentragen von Erinnerungen (§ 127) |
|
||||
| Leiter wegwerfen (6.54) | Vergleichsobjekte, keine Thesen (§ 128, § 130) |
|
||||
| Schweigen (7) | „die philosophischen Probleme verschwinden lassen" (§ 133) |
|
||||
|
||||
## Für das Buchprojekt
|
||||
|
||||
- **Methode der ABH** ist Teil der ABH-Lektüre: 4.11x und 6.5x sind Pflicht-Stationen.
|
||||
- **„Übersichtliche Darstellung"** (PU § 122 / BüF) ist der **Schlüsselbegriff** für die Buchmethodik selbst: das Buch *macht* das, was es bei W. beschreibt.
|
||||
- **„Leiter-Bild" (6.54)** — kritische Diskussion gehört in das Kapitel zur Form/Schluss der ABH.
|
||||
- **Hypotheken markieren**: User-Maxime, die exakt parallel zu Wittgensteins „nichts erklären, übersichtlich darstellen" liegt — siehe `ideenpool/topics/methode-und-form-der-abh.md`.
|
||||
@@ -0,0 +1,151 @@
|
||||
---
|
||||
title: Personen — Atlas
|
||||
type: atlas
|
||||
tags:
|
||||
- personen
|
||||
- sekundärfiguren
|
||||
- bezugspersonen
|
||||
---
|
||||
|
||||
# Personen — werkübergreifend
|
||||
|
||||
**Wo erwähnt Wittgenstein wen?** Übersicht der Hauptbezugspersonen — Philosophen, Wissenschaftler, Künstler — und ihrer Vorkommen in den 16 Werken.
|
||||
|
||||
## Frequenzmatrix (grep)
|
||||
|
||||
| Person | ABH | TB | PU | Z | ÜG | BdF | VB | BGM | BPP | LSPP | PPF | VüE | UW | BüF | BB |
|
||||
|---|---:|---:|---:|---:|---:|---:|---:|---:|---:|---:|---:|---:|---:|---:|---:|
|
||||
| Russell | **23** | 4 | 2 | 3 | 1 | 0 | 3 | 21 | 2 | 1 | 0 | 0 | 1 | 0 | 8 |
|
||||
| Frege | **16** | 1 | 3 | 2 | 1 | 0 | 1 | 6 | 1 | 0 | 0 | 0 | 0 | 0 | 1 |
|
||||
| Augustinus | 0 | 0 | **10** | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 |
|
||||
| Moore | 1 | 0 | 0 | 0 | **38** | 0 | 1 | 0 | 1 | 4 | 2 | 5 | 0 | 0 | 0 |
|
||||
| W. James | 0 | 0 | 3 | 4 | 0 | 2 | 0 | 0 | **13** | 4 | 1 | 0 | 0 | 0 | 2 |
|
||||
| Goethe | 0 | 0 | 0 | 1 | 0 | **13** | 6 | 0 | 4 | 0 | 1 | 0 | 0 | 0 | 0 |
|
||||
| Frazer | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | **15** | 0 |
|
||||
| Köhler | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | **9** | 0 | 0 | 0 | 0 | 0 | 0 |
|
||||
| Hertz | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
|
||||
| Boltzmann | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
|
||||
| Newton | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
|
||||
| **Mach (Ernst)** | **0** | **0** | **0** | **0** | **0** | **0** | **0** | **0** | **0** | **0** | **0** | **0** | **0** | **0** | **0** |
|
||||
|
||||
## Russell
|
||||
|
||||
**ABH-Hauptbezugsfigur** (23 Treffer). Auftritte:
|
||||
|
||||
- **Vorwort**: Russell wird als einer der zwei Hauptanreger genannt (neben Frege).
|
||||
- **3.331**: Russells „Theorie der Typen". Wittgenstein: Russell verletzt mit der Typentheorie die eigenen Regeln, weil er von „Typen" *spricht*.
|
||||
- **3.333**: „Eine Funktion kann nicht ihr eigenes Argument sein …" Russell-Antinomie-Auflösung.
|
||||
- **4.0031**: „Russells Verdienst ist es, gezeigt zu haben, dass die scheinbare logische Form des Satzes nicht seine wirkliche sein muss."
|
||||
- **4.123–4.1273**: Russell-Notation, Begriffsschrift, allgemeine Form.
|
||||
- **5.4** ff.: keine logischen Gegenstände — Anti-Russell.
|
||||
- **5.5302**: Russells „=" als Identitätszeichen ist mehrdeutig.
|
||||
- **5.5563**: „Alle Sätze unserer Umgangssprache sind tatsächlich, so wie sie sind, logisch vollkommen geordnet."
|
||||
- **6.123**: Russell zur Logik.
|
||||
- **6.1232**: „die Russellsche Axiom"-Diskussion.
|
||||
- Russell ist also der **Hauptgegner** der ABH-Logik-Konzeption — bei aller Anerkennung.
|
||||
|
||||
**BGM** (21 Treffer): Wittgenstein arbeitet sich an Russells *Principia Mathematica*-Konzeption ab, vor allem an der Mengenlehre.
|
||||
|
||||
**Sonst**: Russell erscheint selten — Wittgenstein wendet sich ab von Russell als Bezugsfigur ab den 30er Jahren. **Ursache und Wirkung** (1937) ist eine direkte Auseinandersetzung mit Russells These vom „intuitiven Erfassen" der Kausalität.
|
||||
|
||||
## Frege
|
||||
|
||||
**ABH** (16 Treffer): Hauptbezugsfigur neben Russell.
|
||||
- **Vorwort**: ABH verdankt „den großartigen Werken Freges" einen großen Teil der Anregung.
|
||||
- **3.143**: Freges Notation des Satzes als „aRb".
|
||||
- **3.318**: Freges Begriff der „Bedeutung" — Wittgenstein folgt Frege gegen Russell hier.
|
||||
- **3.325**: Begriffsschrift soll die logische Grammatik beachten — Frege-Pflicht.
|
||||
- **4.063**: Freges Wahrheits-Begriff — kritisch.
|
||||
- **4.431**: Frege zu Sinn/Bedeutung.
|
||||
- **4.442**: Frege-Notation des Urteilsstrichs („⊢"). Wittgenstein: das ist nicht „die Behauptung", sondern nur ein Annotationszeichen.
|
||||
- **5.02**: Argument und Affix; Frege-Russell-Diskussion.
|
||||
- **5.42**: das Frege-Russell-Russelsche Logik-Programm.
|
||||
- **5.451**: Funktionalität bei Frege.
|
||||
- **5.521**: Frege/Russell-Behandlung der Allgemeinheit.
|
||||
- **5.532**: „Frege hat in seinen Arbeiten über die Grundlagen der Arithmetik …"
|
||||
- **6.123**: Frege zur Logik.
|
||||
|
||||
**Wittgensteins Verhältnis zu Frege**: deutlich respektvoller als zu Russell — auch im Spätwerk gelegentliche Frege-Bemerkungen (PU §§ 49, 71, 561), meist zustimmend zitiert.
|
||||
|
||||
## Augustinus
|
||||
|
||||
**PU §§ 1–4**: das **Augustinus-Bild der Sprache** als Eröffnung der PU. Das Augustinus-Zitat (Confessiones I/8) wird zur didaktischen Eröffnung — Wittgensteins erste „**Übersichtliche Darstellung**" einer Sprachauffassung.
|
||||
|
||||
- **§ 1**: das Originalzitat (lateinisch + Übersetzung).
|
||||
- **§ 2**: das Bauarbeiter-Beispiel als „vollständige primitive Sprache".
|
||||
- **§ 3**: „Augustinus beschreibt … *ein* System der Verständigung; nur ist nicht alles, was wir Sprache nennen, dieses System."
|
||||
- **§ 4**: Augustinus' Auffassung als zu vereinfachte Schrift-Analogie.
|
||||
- **§ 32**: Augustinus, der „Eingeborene", lernt eine Fremdsprache.
|
||||
- **§ 89**: Augustinus zur Zeit-Frage („Was ist also die Zeit? Wenn niemand mich danach fragt …").
|
||||
|
||||
Augustinus ist die *einzige* Großfigur, die fast nur in einem Werk (PU) prominent erscheint.
|
||||
|
||||
## Moore
|
||||
|
||||
**ÜG** (38 Treffer): Hauptbezugsfigur des Spätwerks. ÜG entsteht **als Antwort auf Moores** *Proof of an External World* (1939) und *A Defence of Common Sense* (1925).
|
||||
|
||||
- ÜG §§ 1–20: was Moore *meinen* könnte, wenn er sagt „Ich weiß, dass dies eine Hand ist."
|
||||
- ÜG §§ 32–60: Moores Spezielle Sätze als „Grundlagen-Sätze", nicht als Wissens-Sätze.
|
||||
- ÜG §§ 92–95: Weltbild und Moore-Sätze.
|
||||
|
||||
## William James
|
||||
|
||||
**BPP** (13 Treffer): William James ist die Hauptfigur, an der Wittgenstein die Psychologie der Spätphase entwickelt. *Principles of Psychology* (1890) liegt im Hintergrund vieler BPP-Bemerkungen.
|
||||
|
||||
- Z 1: James' These „der Gedanke sei schon am Anfang des Satzes fertig".
|
||||
- BPP I § 173, § 254, § 335, § 451 etc.: Aufnahme und Kritik einzelner James-Positionen — meist sympathisch, immer mit kritischer Wendung („James sagt etwas, was wie eine psychologische Aussage klingt und keine ist").
|
||||
|
||||
## Goethe
|
||||
|
||||
**BdF** (13 Treffer): Goethes Farbenlehre ist die Hauptgesprächspartnerin. Wittgenstein nimmt Goethe ernst — als „Phänomenologe der Farben", nicht als Anti-Newton.
|
||||
|
||||
- BdF I § 13 ff.: Goethes Lehre als „begriffliches Modell", nicht als physikalische Theorie.
|
||||
- BdF II § 16: Goethe-Position zur „Trübung des Mittels".
|
||||
- BdF III § 86 ff.: ausführliche Goethe-Diskussion.
|
||||
|
||||
In VB (6 Treffer): Goethe als Schriftsteller, kulturkritische Bemerkungen.
|
||||
|
||||
## Frazer
|
||||
|
||||
**BüF** ist eine eigenständige Auseinandersetzung mit J. G. Frazer, *The Golden Bough*. 15 Treffer in 321 Zeilen — sehr dicht.
|
||||
|
||||
- Kritik der Frazerschen Reduktion magischer Riten auf „falsche Wissenschaft".
|
||||
- Frazers Methode = Erklärungsversuch; Wittgensteins Methode = übersichtliche Darstellung.
|
||||
|
||||
## Köhler
|
||||
|
||||
**BPP** (9 Treffer): Wolfgang Köhler, Gestaltpsychologe (*Gestalt Psychology* 1929).
|
||||
|
||||
- BPP I § 561, § 869, § 971: Aspektsehen-Diskussion. Wittgenstein: „Im Gegensatz zu Köhler ist es gerade eine *Bedeutung*, die ich sehe."
|
||||
|
||||
## Hertz, Boltzmann
|
||||
|
||||
- **Heinrich Hertz**, *Prinzipien der Mechanik* (1894): Vorbild des ABH-Bildtheorie-Begriffs. ABH 4.04, TB 1.5.1915. Hertz hat den Begriff „Bild" (im Sinn von „Modell") in der Mechanik eingeführt — Wittgensteins ABH-Bildtheorie ist davon inspiriert.
|
||||
- **Ludwig Boltzmann**: nur einmal in VB erwähnt (Wittgensteins Vorbild als Wissenschaftler aus seiner Wiener Jugend). Boltzmann hatte sich 1906 das Leben genommen; Wittgenstein hatte ursprünglich vorgehabt, bei ihm in Wien zu studieren.
|
||||
|
||||
## Newton
|
||||
|
||||
Nur in VB (1 Treffer) und in BdF (1 Treffer). Wittgenstein steht der Newtonschen Optik kritisch gegenüber (BdF III) — aber nicht zugunsten von Goethe, sondern wegen der grammatischen Konfusion zwischen Physik und Phänomenologie.
|
||||
|
||||
## Ernst Mach
|
||||
|
||||
**Ernst Mach kommt in Wittgensteins Werk explizit nicht vor.** Das ist wichtig festzuhalten: die in der Wittgenstein-Forschung (und im Buchprojekt-Memory) gelegentlich gezogene Mach-Linie ist eine *Außen-Rekonstruktion*, keine W.-Selbstangabe. Die strukturelle Parallele (Beobachter, Bezugsweise) bleibt zu zeigen — sie ist nicht zitierbar.
|
||||
|
||||
(Mach erscheint in Brian McGuinness' Biographie *Young Ludwig* als Hintergrundfigur der Wiener Boltzmann-Hertz-Linie; und in Wittgensteins Briefen an Russell vor 1912. Aber im philosophischen Werk: nicht.)
|
||||
|
||||
## Weitere knapp erwähnte Figuren
|
||||
|
||||
- **Kierkegaard**: VB mehrfach, BPP gelegentlich. Religiöse und ethische Bemerkungen.
|
||||
- **Schopenhauer**: TB häufig (1914–1916); ABH-Solipsismus-Linie hat Schopenhauer-Hintergrund.
|
||||
- **Spengler**: VB, mehrfach (1930er Jahre). Wittgenstein über kulturkritischen Pessimismus.
|
||||
- **Freud**: VB und einige BPP-Bemerkungen. Wittgenstein über Freuds „Mythologie".
|
||||
- **Tolstoi**: VB („Tolstois Volkserzählungen"). Religiöse Inspiration der Frontphase.
|
||||
- **Brahms, Bruckner, Beethoven, Schubert**: VB, kulturkritisch.
|
||||
- **Sraffa**: keine direkte Werks-Erwähnung; Wittgenstein hat aber im PU-Vorwort die „Anregungen meines Freundes Sraffa" als entscheidend für die Spätphilosophie genannt.
|
||||
|
||||
## Für das Buchprojekt
|
||||
|
||||
- **Russell + Frege** sind die ABH-Hauptfiguren — bereits in `ideenpool/topics/russell-und-frege-kritik.md` aufgenommen.
|
||||
- **Hertz** ist die *unauffällige Schlüsselfigur* für die ABH-Bildtheorie — eine knappe Würdigung in der Einleitung lohnt sich.
|
||||
- **Mach** ist (laut Memory) im Buchprojekt eine Brückenfigur — aber Wittgenstein nennt Mach nicht. Diese Spannung sollte im Buch transparent gemacht werden: „die Strukturparallele liegt vor, das Zitat fehlt."
|
||||
- **Augustinus** ist die *einzige* historische Großfigur, die in der Wittgenstein-Lektüre kanonisch zitiert wird (PU § 1) — eigene Augustinus-Lesart lohnt sich daher.
|
||||
@@ -0,0 +1,81 @@
|
||||
---
|
||||
title: Regel und Regelfolgen — Atlas
|
||||
type: atlas
|
||||
tags:
|
||||
- regel
|
||||
- regelfolgen
|
||||
- übung
|
||||
- abrichtung
|
||||
---
|
||||
|
||||
# Regel und Regelfolgen — werkübergreifend
|
||||
|
||||
**Regelfolgen** ist das **methodische Herzstück der Spätphilosophie**. Hauptorte: **PU §§ 185–242** (zentrale Passage) und **BGM I, VI** (parallel ausgearbeitet).
|
||||
|
||||
## Häufigkeit
|
||||
|
||||
| Werk | Treffer „Regel" |
|
||||
|---|---:|
|
||||
| ABH | 5 |
|
||||
| BB (engl. „rule") | 49 |
|
||||
| PU | **49** |
|
||||
| Zettel | 22 |
|
||||
| **BGM** | **215** |
|
||||
| ÜG | 17 |
|
||||
|
||||
## ABH — fast abwesend
|
||||
|
||||
In der ABH spielt „Regel" keine systematische Rolle:
|
||||
- 3.331, 3.334, 6.126: „Regeln des Zeichengebrauchs"; logische Syntax als Regelsystem.
|
||||
- Aber: das Thema „Was heißt es, einer Regel zu folgen?" ist in der ABH nicht entwickelt — sie *setzt* Regelfolgen voraus (logische Syntax) und problematisiert es nicht.
|
||||
|
||||
## Mittlere Phase (BB, mittlere Manuskripte)
|
||||
|
||||
In den Brown Books ist Regelfolgen schon Hauptthema:
|
||||
- Sprachspiele als Regelspiele.
|
||||
- Verhältnis zwischen Anweisung und Anwendung.
|
||||
|
||||
## PU §§ 185–242
|
||||
|
||||
**Das Hauptstück.** Schlüsselgedanken:
|
||||
|
||||
- **§ 185**: der Schüler, der die Reihe „+2" plötzlich anders fortsetzt — „1000, 1004, 1008".
|
||||
- **§ 198**: „Was hat den Ausdruck der Regel … mit meinen Handlungen zu tun?"
|
||||
- **§ 201**: „Unser Paradox war dies: eine Regel könnte keine Handlungsweise bestimmen, da jede Handlungsweise mit der Regel in Übereinstimmung zu bringen sei." Auflösung: „Daß es da ein Mißverständnis gibt, zeigt sich schon darin, dass wir … einer nach dem andern Deutungen geben."
|
||||
- **§ 202**: „Darum ist 'der Regel folgen' eine Praxis. Und der Regel zu folgen *glauben* ist nicht: der Regel folgen. Und darum kann man nicht der Regel 'privatim' folgen, weil sonst der Regel zu folgen glauben dasselbe wäre, wie der Regel folgen."
|
||||
- **§ 217**: „Wenn ich der Regel folge, wähle ich nicht. Ich folge der Regel *blind*."
|
||||
- **§ 219**: „**Wenn ich der Regel folge, wähle ich nicht. Ich folge der Regel *blind*.**" (Wiederholung.)
|
||||
- **§ 242**: Übereinstimmung in den Urteilen — nicht in den Meinungen, sondern in der „Lebensform".
|
||||
- **§ 243** ff. (Privatsprache): folgt direkt aus § 202.
|
||||
|
||||
## BGM — paralleler Hauptort
|
||||
|
||||
**BGM I §§ 1–48** und **BGM VI §§ 1–48** sind die mathematische Parallelfassung der PU-Regelfolgen-Diskussion.
|
||||
|
||||
- **BGM I § 1–4**: Formel y = x². Was heißt es, dass die Formel den Übergang „bestimmt"?
|
||||
- **BGM VI §§ 1–48**: was heißt es, im konkreten Fall „dieselbe" Regel anzuwenden? Was heißt „weitergehen" — und wann ist Übereinstimmung erzwungen, wann nur empirisch?
|
||||
- **BGM VII §§ 47–60**: Abrichtung als Grundlage des Regelfolgens.
|
||||
|
||||
## Zettel
|
||||
|
||||
- Z 295 ff.: Regel als „Ausdruck einer Übung".
|
||||
- Z 304: „Die Regel ist nur in einer Praxis verankert."
|
||||
|
||||
## ÜG
|
||||
|
||||
ÜG erweitert das Regelfolgen-Schema auf **Sicherheits-Sätze**:
|
||||
- ÜG §§ 1–65: was es heißt, einen Satz als unbezweifelbar zu nehmen.
|
||||
- ÜG §§ 95–99: das **Flussbett des Denkens** — bestimmte Sätze sind „der Fluss", andere „das Bett". Auch hier: das, was dem Folgen einer Regel zugrundeliegt, ist die Praxis selbst.
|
||||
|
||||
## Sekundärlit-Schlachtfeld
|
||||
|
||||
- **Kripke**, *Wittgenstein on Rules and Private Language* (1982) — die berühmte „Kripkenstein"-Lesart. **Skeptische Lösung**: keine Tatsache macht es wahr, dass ich die Regel „verstehe"; nur die Gemeinschaftspraxis.
|
||||
- **McDowell**, „Wittgenstein on Following a Rule" (1984) — gegen Kripke.
|
||||
- **Baker/Hacker**, *Scepticism, Rules and Language* (1984) — gegen Kripke.
|
||||
- **Mühlhölzer** und **Floyd** für die BGM-Seite.
|
||||
|
||||
## Für das Buchprojekt
|
||||
|
||||
- Im **Hauptbuch-Scope** (ABH-Lektüre) Regelfolgen **nicht primär**, aber als Spätphase-Echo der ABH-Annahmen interessant.
|
||||
- Verbindung zur **User-These**: die ABH setzt die Regelhaftigkeit der Logik voraus; die PU/BGM fragt zurück, was diese Regelhaftigkeit selbst trägt. **Das ist die strukturelle Bewegung von „Bild → Praxis"**.
|
||||
- Strukturparallele zur Beobachter-Frage: die Regel wird nicht von außen befestigt, sondern in der Praxis (Lebensform) konstituiert — wie der Beobachter in der ABH nicht in der Welt steht, sondern Grenze der Welt ist.
|
||||
@@ -0,0 +1,84 @@
|
||||
---
|
||||
title: Solipsismus und Grenze — Atlas
|
||||
type: atlas
|
||||
tags:
|
||||
- solipsismus
|
||||
- subjekt
|
||||
- grenze-der-welt
|
||||
- metaphysisches-subjekt
|
||||
---
|
||||
|
||||
# Solipsismus und Grenze — werkübergreifend
|
||||
|
||||
**Wittgensteins Solipsismus existiert effektiv nur in der Frühphase (ABH + Tagebücher).** In den Spätschriften erscheint der Begriff praktisch nicht mehr — die Frage „wo ist das Subjekt in der Welt?" wird auf andere Weise weitergeführt (Privatsprachen-Argument, Innen-Außen-Problematik).
|
||||
|
||||
## Häufigkeit
|
||||
|
||||
| Werk | „Solipsismus" | „Subjekt" |
|
||||
|---|---:|---:|
|
||||
| ABH | 3 | 7 |
|
||||
| Tagebücher 1914–1916 | 4 | 27 |
|
||||
| PU | 1 | 4 |
|
||||
| Zettel | 0 | 3 |
|
||||
| ÜG | 0 | 0 |
|
||||
| BPP | 0 | 5 |
|
||||
| LSPP | 0 | 1 |
|
||||
| BB (engl.) | 0 | n.a. |
|
||||
|
||||
## ABH — Hauptort
|
||||
|
||||
**5.6er-Reihe** ist die einzige systematische Auseinandersetzung mit dem Solipsismus.
|
||||
|
||||
- **5.6** „Die Grenzen meiner Sprache bedeuten die Grenzen meiner Welt."
|
||||
- **5.61** „Die Logik erfüllt die Welt; die Grenzen der Welt sind auch ihre Grenzen."
|
||||
- **5.62** „Diese Bemerkung gibt den Schlüssel zur Entscheidung der Frage, inwieweit der Solipsismus eine Wahrheit ist. Was nämlich der Solipsismus *meint*, ist ganz richtig, nur lässt es sich nicht *sagen*, sondern es zeigt sich. Dass die Welt *meine* Welt ist, das zeigt sich darin, dass die Grenzen *der* Sprache (der Sprache, die allein ich verstehe) die Grenzen *meiner* Welt bedeuten."
|
||||
- **5.621** „Die Welt und das Leben sind Eins."
|
||||
- **5.63** „Ich bin meine Welt. (Der Mikrokosmos.)"
|
||||
- **5.631** „Das denkende, vorstellende, Subjekt gibt es nicht."
|
||||
- **5.632** „Das Subjekt gehört nicht zur Welt, sondern es ist eine Grenze der Welt."
|
||||
- **5.633** „Wo *in* der Welt ist ein metaphysisches Subjekt zu merken? Du sagst, es verhält sich hier ganz, wie mit Auge und Gesichtsfeld. Aber das Auge siehst du wirklich *nicht*. Und nichts *am Gesichtsfeld* lässt darauf schließen, dass es von einem Auge gesehen wird."
|
||||
- **5.6331** Die Augen-Figur (philologisch entscheidend: laut Lampert/Graßhoff 2004 ein Punkt am Rand des Gesichtsfelds, nicht ein Augapfel außerhalb — siehe `literatur/kraft-sequential__analyse.md`).
|
||||
- **5.634** „Nichts an unserer Erfahrung ist auch *a priori*."
|
||||
- **5.64** „Hier sieht man, dass der Solipsismus, streng durchgeführt, mit dem reinen Realismus zusammenfällt. Das Ich des Solipsismus schrumpft zum ausdehnungslosen Punkt zusammen, und es bleibt die ihm koordinierte Realität."
|
||||
- **5.641** „Das philosophische Ich ist nicht der Mensch, nicht der menschliche Körper, oder die menschliche Seele, von der die Psychologie handelt, sondern das metaphysische Subjekt, die Grenze — nicht ein Teil der Welt."
|
||||
- **6.43** (auch relevant): „Die Welt des Glücklichen ist eine andere als die des Unglücklichen."
|
||||
- **6.431** „Wie auch beim Tod die Welt sich nicht ändert, sondern aufhört."
|
||||
|
||||
## Tagebücher 1914–1916 — Werkstatt
|
||||
|
||||
Die ABH-5.6er-Reihe wird in den Tagebüchern vorbereitet, vor allem **August/September 1916**:
|
||||
|
||||
- **2.8.1916**: „Das Subjekt … gehört nicht zur Welt, sondern ist eine Grenze der Welt."
|
||||
- **5.8.1916**: „Wenn alle 'physikalischen Objekte' zur Welt gehören und nicht zum Ich, so gehört auch das psychologische Ich, sofern es das 'denkende, vorstellende Subjekt' ist, nicht zur Welt."
|
||||
- **11.8.1916**: „Ich bin meine Welt."
|
||||
- **12.8.1916** und folgende Einträge: ausführliche Reflexionen zum „Außenstandpunkt", zum „Mikrokosmos", zum Tod.
|
||||
|
||||
Die Tagebücher enthalten **deutlich mehr und weniger verdichtetes Material** zum Thema als die ABH — wichtig für die User-These „Solipsismus als empirische Tautologie" und für die Linie zur Einstein-Verallgemeinerung (siehe `ideenpool/topics/beobachter-als-grenze.md`).
|
||||
|
||||
## PU
|
||||
|
||||
Solipsismus wird **nur einmal explizit erwähnt** — und zwar kritisch:
|
||||
|
||||
- **§ 402**: „Du nennst es ja im Gegensatz zu 'das ist ein Schmerz' eine Behauptung; und nicht im Gegensatz zu 'er hat Schmerzen'. — Aber das ist eine grammatische Bemerkung; ich kann sagen: 'Ich habe das' aus dem Solipsismus oder aus dem Realismus übersetzen — aber die Übersetzung lässt das Wesen der Sache unangetastet."
|
||||
|
||||
PU **konstruiert das Solipsismus-Problem um**: in der Linie des Privatsprachen-Arguments (§§ 243 ff.) wird die Frage zur grammatischen umgeschrieben.
|
||||
|
||||
## Spätschriften
|
||||
|
||||
- **ÜG** spricht von „Weltbild" (§§ 94–95), nicht von Solipsismus. Aber die Funktion ist verwandt: bestimmte Sätze sind „der Hintergrund, auf welchem ich zwischen wahr und falsch unterscheide" — die ABH-Frage nach der Grenze der Welt erscheint hier als Frage nach den nicht-empirischen Voraussetzungen der Sprachspiele.
|
||||
|
||||
## Übergreifende These (für das Buchprojekt)
|
||||
|
||||
- **ABH-Solipsismus ist nicht der klassische Solipsismus.** Hintikka 1958 (siehe `literatur/hintikka-solipsism.md`) hat das philologisch entschieden: „die Sprache, die allein ich verstehe" = „the only language that I understand". Das Ich ist eine *linguistisch-strukturelle* Größe (Totalität der Sprache/möglichen Gedanken), kein psychisches Subjekt.
|
||||
- **5.64 ist die Pointe**: streng durchgeführter Solipsismus = reiner Realismus. Das ist die User-Lesart („empirische Tautologie").
|
||||
- **Die Spätphase ersetzt das Thema** durch das Privatsprachen-Argument und die Innen-Außen-Diskussion (siehe `Atlas/innen-aussen-empfindung.md`).
|
||||
- **„Mach" als Vorläufer kommt im Werk Wittgensteins selbst nicht vor.** Die Mach-Linie ist eine Außen-Rekonstruktion, keine Wittgenstein-Selbstangabe.
|
||||
|
||||
## Querverbindungen
|
||||
|
||||
- `literatur/hintikka-solipsism__analyse.md` — Hintikkas philologische Korrektur und Lesart.
|
||||
- `literatur/kraft-sequential__analyse.md` Kap. 6.2 — Augen-Analogie, Lampert/Graßhoff-Figur, PT-Renumbering.
|
||||
- `literatur/mcginn-elucidating__analyse.md` Kap. 11 — Solipsismus.
|
||||
- `ideenpool/topics/solipsismus.md` — Buchprojekt-Topic.
|
||||
- `ideenpool/topics/beobachter-als-grenze.md` — Verallgemeinerung der Position.
|
||||
- `dialog/2026-05-23_bild_perspektive_einstein.md` — empirische Tautologie.
|
||||
@@ -0,0 +1,85 @@
|
||||
---
|
||||
title: Sprachspiel und Bedeutung — Atlas
|
||||
type: atlas
|
||||
tags:
|
||||
- sprachspiel
|
||||
- bedeutung-als-gebrauch
|
||||
- familienähnlichkeit
|
||||
---
|
||||
|
||||
# Sprachspiel und Bedeutung — werkübergreifend
|
||||
|
||||
Der Begriff **„Sprachspiel"** taucht in der ABH **nicht** auf — er ist eine **Erfindung der Spätphase**, beginnend mit den Blue/Brown Books (1933/34, englisch „language game") und den ersten deutschen Manuskripten Mitte der 1930er.
|
||||
|
||||
## Häufigkeit
|
||||
|
||||
| Werk | Sprachspiel | Bedeutung |
|
||||
|---|---:|---:|
|
||||
| ABH | 0 | 28 |
|
||||
| TB 1914–1916 | 0 | 41 |
|
||||
| BB (engl. „language game") | 14 | n. a. |
|
||||
| PU | 41 | 88 |
|
||||
| Zettel | 41 | 27 |
|
||||
| ÜG | 33 | 18 |
|
||||
| BGM | 48 | 43 |
|
||||
| BPP | 70 | 99 |
|
||||
| LSPP | 35 | 60 |
|
||||
| PPF | 9 | 28 |
|
||||
| BdF | 8 | 6 |
|
||||
| VB | 0 | 8 |
|
||||
|
||||
## Hauptstellen
|
||||
|
||||
### Blue Book (Vorform)
|
||||
|
||||
- Beginnt mit der Frage „What is the meaning of a word?" — und arbeitet sich von dort an Augustinus-artigen Konzepten ab.
|
||||
- Erster Auftritt von „**language game**" (lower-case): vereinfachte Sprachpraxen, die als Studienobjekte konstruiert werden.
|
||||
|
||||
### Brown Book (Vorform der PU §§1–7)
|
||||
|
||||
- Beginnt mit dem berühmten **Bauarbeiter-Beispiel**: „A is building with building-stones …" — Sprache als „**Block, Säule, Platte, Balken**".
|
||||
- Wittgenstein nummeriert hier zum ersten Mal „Sprachspiele" durch (1, 2, 3, …) als Methode der „**Auseinanderlegung**".
|
||||
|
||||
### PU
|
||||
|
||||
- **§ 1**: Augustinus-Bild der Sprache.
|
||||
- **§ 2**: das Bauarbeiter-Beispiel (aus dem Brown Book).
|
||||
- **§ 7**: „**Sprachspiel**" wird eingeführt: „Auch das Ganze: der Sprache und der Tätigkeiten, mit denen sie verwoben ist."
|
||||
- **§ 23**: Liste der Sprachspiele — Befehlen, Berichten, Schauspielern, Witzemachen … „die Vielfalt der Sprachspiele".
|
||||
- **§ 43**: „**Die Bedeutung eines Wortes ist sein Gebrauch in der Sprache.**" (Schlüsselsatz.)
|
||||
- **§ 65–67**: **Familienähnlichkeit**. „Anstatt etwas anzugeben, was allem … gemeinsam ist, sage ich, es ist diesen Erscheinungen gar nicht eines gemeinsam … sondern sie sind miteinander in vielen verschiedenen Weisen verwandt." (§ 65)
|
||||
- **§ 71**: Familienähnlichkeit als unscharfer Begriff — und das ist nicht defizient.
|
||||
- **§ 130–131**: das Sprachspiel als „**Vergleichsobjekt**", nicht als Vorbild der wirklichen Sprache.
|
||||
- **§ 138–139**: Bedeutung und Verstehen.
|
||||
|
||||
### Zettel
|
||||
|
||||
- Z 22: Sprachspiele als „Vergleichsobjekte".
|
||||
- Z 391, 412 ff.: Familien-Ähnlichkeit, Bedeutungserlebnis.
|
||||
|
||||
### BGM
|
||||
|
||||
- BGM I § 5, § 35, § 165 ff.: Mathematik als Sprachspiel; Rechnen als Praxis.
|
||||
- Sprachspiel der Beweisführung; Regel und ihr Gebrauch.
|
||||
|
||||
### BPP / LSPP
|
||||
|
||||
- Sprachspiele in der psychologischen Begriffsarbeit: was bedeutet „Erinnerung", „Hoffnung", „Wunsch"? Antwort jeweils: das Sprachspiel, in dem das Wort gebraucht wird.
|
||||
- BPP I § 552, § 668: Familienähnlichkeit psychischer Begriffe.
|
||||
|
||||
### ÜG
|
||||
|
||||
- ÜG § 65, § 204, § 519: Sprachspiele setzen Sicherheiten voraus, die selbst nicht im Sprachspiel begründet werden.
|
||||
- ÜG § 559: „Du musst bedenken, dass das Sprachspiel sozusagen etwas Unvorhersehbares ist."
|
||||
|
||||
## Übergreifende Beobachtungen
|
||||
|
||||
- **„Bedeutung als Gebrauch"** ist die Spätphase-Antithese zur ABH-These „Name bedeutet Gegenstand" (ABH 3.203: „Der Name bedeutet den Gegenstand.").
|
||||
- **Familienähnlichkeit** ist die Spätphase-Antithese zur ABH-These einer gemeinsamen logischen Form (ABH 2.18, 4.5).
|
||||
- **Sprachspiel** ist methodisches Werkzeug, nicht Theorie der Sprache: PU § 130 expliziert, dass Sprachspiele „Vergleichsobjekte" sind.
|
||||
|
||||
## Für das Buchprojekt
|
||||
|
||||
- Hauptbuch behandelt **ABH**; Sprachspiel-Begriff dort nicht zentral.
|
||||
- Relevant nur als **Spätphase-Echo**: Wo sich die ABH-Bildtheorie der PU stellt, ist das Sprachspiel die methodische Auflösung der ABH-Festlegungen.
|
||||
- Beispiel: **ABH 4.5** „Die allgemeine Satzform" ↔ **PU § 65** „Familienähnlichkeit".
|
||||
@@ -0,0 +1,322 @@
|
||||
---
|
||||
author: Ludwig Wittgenstein
|
||||
title: Bemerkungen über Frazers “The Golden Bough”
|
||||
---
|
||||
|
||||
# Editor's Note
|
||||
|
||||
_Published by the [Ludwig Wittgenstein Project](https://www.wittgensteinproject.org/)._
|
||||
|
||||
_This digital edition is a diplomatic version of extracts of Wittgenstein’s *Nachlass* Ms-110, Ts-211 and Ms-143 produced with the Interactive Dynamic Presentation tool[^1] provided by the [Wittgenstein Archives at the University of Bergen (WAB)](http://wab.uib.no/). This original-language text is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 70 years or fewer._
|
||||
|
||||
# Bemerkungen über Frazers “The Golden Bough”
|
||||
|
||||
## I. Teil
|
||||
|
||||
ʃ Ich glaube jetzt dass es richtig wäre ein //mein// Buch mit Bemerkungen über die Metaphysik als eine Art der Magie zu beginnen.
|
||||
|
||||
ʃ Worin ich aber weder der Magie das Wort reden, noch mich über sie lustig machen darf.
|
||||
|
||||
ʃ Von der Magie müsste die Tiefe beibehalten werden. –
|
||||
|
||||
ʃ
|
||||
|
||||
Ja das Ausschalten ~~jeder~~ //der// Magie hat hier den Charakter der Magie selbst.
|
||||
|
||||
ʃ Denn wenn ich damit anfing von der »*Welt*« zu reden (und nicht von diesem Baum oder Tisch) was wollte ich anderes als etwas Höheres in meine Worte bannen.
|
||||
|
||||
---
|
||||
|
||||
Man muss beim Irrtum ansetzen und ihn in die Wahrheit überführen.
|
||||
|
||||
D.h. man muss die Quelle des Irrtums aufdecken, sonst nützt uns das Hören der Wahrheit nichts. Sie kann nicht eindringen, solange //wenn// etwas anderes ihren Platz einnimmt.
|
||||
|
||||
Einen von der Wahrheit zu überzeugen, genügt es nicht, die Wahrheit zu konstatieren, sondern man muss den *Weg* vom Irrtum zur Wahrheit finden.
|
||||
|
||||
Ich muss immer wieder im Wasser des Zweifels untertauchen.
|
||||
|
||||
Frazers Darstellung der magischen und religiösen Anschauungen der Menschen ist unbefriedigend: sie lässt diese Anschauungen als *Irrtümer* erscheinen.
|
||||
|
||||
So war also Augustinus im Irrtum, wenn er Gott auf jeder Seite der Confessiones anruft?
|
||||
|
||||
Aber – kann man sagen – wenn er nicht im Irrtum war, so war es doch der buddhistische Heilige – oder welcher immer – dessen Religion ganz andere Anschauungen zum Ausdruck bringt. Aber *keiner* von ihnen war im Irrtum. Außer wo er eine Theorie aufstellte.
|
||||
|
||||
Schon die Idee, den Gebrauch – etwa die Tötung des Priester-königs – erklären zu wollen, scheint mir verfehlt. Alles was Frazer tut ist, sie Menschen, die so ähnlich denken wie er, plausibel zu machen. Es ist sehr merkwürdig, dass alle diese Gebräuche endlich so zu sagen als Dummheiten dargestellt werden.
|
||||
|
||||
Nie wird es aber plausibel, dass die Menschen aus purer Dummheit alle diese Dinge //all das// tun.
|
||||
|
||||
Wenn er uns z.B. erklärt, der König müsse in seiner Blüte getötet werden, weil nach den Anschauungen der Wilden sonst seine Seele nicht frisch erhalten würde, so kann man doch nur sagen: Wo jener Gebrauch und diese Anschauung zusammengehen, dort entspringt nicht der Gebrauch der Anschauung, sondern sie sind eben beide da.
|
||||
|
||||
Es kann schon sein, und kommt heute oft vor, dass ein Mensch einen Gebrauch aufgibt, nachdem er einen Irrtum erkannt hat, auf den sich dieser Gebrauch stützte. Aber dieser ~~Gebrauch~~ //Fall// besteht eben nur dort, wo es genügt den Menschen auf seinen Irrtum aufmerksam zu machen, um ihn von seiner Handlungsweise abzubringen. Aber das ist doch bei den religiösen Gebrauche eines Volkes nicht der Fall und *darum* handelt es sich eben um *keinen* Irrtum.
|
||||
|
||||
Frazer sagt, es sei sehr schwer, den Irrtum in der Magie zu entdecken – und darum halte sie sich so lange – weil z.B. eine Beschwörung, die Regen herbeiführen soll, früher oder später gewiss als wirksam erscheint. Aber dann ist es eben merkwürdig, dass die Menschen nicht früher darauf kommen, dass es ohnehin früher oder später regnet.
|
||||
|
||||
Ich glaube, dass das Unternehmen einer Erklärung schon darum verfehlt ist, weil man nur richtig zusammenstellen muss, was man *weiß*, und nichts dazusetzen, und die Befriedigung, die durch die Erklärung angestrebt wird, ergibt sich von selbst.
|
||||
|
||||
Und die Erklärung ist es hier gar nicht, die befriedigt. Wenn Frazer anfängt und uns die Geschichte von dem Waldkönig von Nemi erzählt, so tut er dies in einem Ton, der zeigt, dass er fühlt und uns fühlen lassen will, dass hier etwas Merkwürdiges und Furchtbares geschieht. Die Frage aber »warum geschieht dies?« wird eigentlich dadurch beantwortet: Weil es furchtbar ist. Das heißt, dasselbe, was uns bei diesem Vorgang furchtbar, großartig, schaurig, tragisch, etc., nichts weniger als trivial und bedeutungslos vorkommt, *das* hat diesen Vorgang ins Leben gerufen.
|
||||
|
||||
Nur *beschreiben* kann man hier und sagen: so ist das menschliche Leben.
|
||||
|
||||
Die Erklärung ist im Vergleich mit dem Eindruck, den uns das Beschriebene macht, zu unsicher.
|
||||
|
||||
Jede Erklärung ist ja eine Hypothese.
|
||||
|
||||
Wer aber, etwa, von der Liebe beunruhigt ist, dem wird eine hypothetische Erklärung wenig helfen. – Sie wird ihn nicht beruhigen.
|
||||
|
||||
Das Gedränge der Gedanken, die nicht heraus können, weil ~~sie~~ sich alle vordrängen wollen und so am Ausgang verkeilen.
|
||||
|
||||
Wenn man mit jener Erzählung vom Priesterkönig von Nemi das Wort »die Majestät des Todes« zusammenstellt, so sieht man, dass die beiden Eins sind.
|
||||
|
||||
Das Leben des Priesterkönigs stellt das dar, was mit jenem Wort gemeint ist.
|
||||
|
||||
Wer von der Majestät des Todes ergriffen ist, kann dies durch so ein Leben zum Ausdruck bringen. – Dies ist natürlich auch keine Erklärung, sondern setzt nur ein Symbol für ein anderes. Oder: eine Zeremonie für eine andere.
|
||||
|
||||
Einem religiösen Symbol liegt keine *Meinung* zu Grunde.
|
||||
|
||||
Und nur der Meinung entspricht der Irrtum.
|
||||
|
||||
Man möchte sagen: Dieser und dieser Vorgang hat stattgefunden; lach', wenn Du kannst.
|
||||
|
||||
Die religiösen Handlungen, oder das religiöse Leben des Priesterkönigs ist von keiner andern Art, als jede echt religiöse Handlung heute, etwa ein Geständnis der Sünden. Auch dieses lässt sich »*erklären*« und lässt sich nicht erklären.
|
||||
|
||||
In effigie verbrennen. Das Bild der Geliebten küssen. Das basiert *natürlich nicht* auf einem Glauben an eine bestimmte Wirkung auf den Gegenstand, den das Bild darstellt. Es bezweckt eine Befriedigung und erreicht sie auch. Oder vielmehr, es *bezweckt* gar nichts; wir handeln eben so und fühlen uns dann befriedigt.
|
||||
|
||||
Man könnte auch den Namen der Geliebten küssen, und hier wäre die Stellvertretung durch den Namen klar.
|
||||
|
||||
Der selbe Wilde, der, anscheinend um seinen Feind zu töten, dessen Bild durchsticht, baut seine Hütte aus Holz wirklich und schnitzt seinen Pfeil kunstgerecht und nicht in effigie.
|
||||
|
||||
Die Idee, dass man einen leblosen Gegenstand zu sich herwinken kann, wie man einen Menschen zu sich herwinkt. Hier ist das Prinzip das, der Personifikation.
|
||||
|
||||
Und immer beruht die Magie auf der Idee des Symbolismus und der Sprache.
|
||||
|
||||
Die Darstellung eines Wunsches ist, eo ipso, die Darstellung seiner Erfüllung.
|
||||
|
||||
Die Magie aber bringt einen Wunsch zur Darstellung; sie äußert einen Wunsch.
|
||||
|
||||
Die Taufe als Waschung. – Ein Irrtum entsteht erst, wenn die Magie wissenschaftlich ausgelegt wird.
|
||||
|
||||
Wenn die Adoption eines Kindes so vor sich geht, dass die Mutter es durch ihre Kleider zieht, so ist es doch verrückt zu glauben, dass hier ein *Irrtum* vorliegt und sie glaubt, das Kind geboren zu haben.
|
||||
|
||||
Von den magischen Operationen sind die zu unterscheiden, die auf einer falschen, zu einfachen, Vorstellung der Dinge und Vorgänge beruhen. Wenn man etwa sagt, die Krankheit ziehe von einem Teil des Körpers in den andern, oder Vorkehrungen trifft, die Krankheit abzuleiten, als wäre sie eine Flüssigkeit oder ein Wärmezustand. Man macht sich dann also ein falsches, das heißt hier, unzutreffendes Bild.
|
||||
|
||||
Welche Enge des seelischen Lebens bei Frazer! Daher: Welche Unmöglichkeit, ein anderes Leben zu begreifen, als das englische seiner Zeit!
|
||||
|
||||
Frazer kann sich keinen Priester vorstellen, der nicht im Grunde ein englischer Parson unserer Zeit ist, mit seiner ganzen Dummheit und Flauheit.
|
||||
|
||||
Warum sollte dem Menschen sein Name nicht heilig sein können. Ist er doch einerseits das wichtigste Instrument, das ihm gegeben wird, anderseits wie ein Schmuckstück, das ihm bei der Geburt umgehangen wird.
|
||||
|
||||
Wie irreführend die Erklärungen Frazers sind, sieht man – glaube ich – daraus, dass man primitive Gebräuche sehr wohl selbst erdichten könnte und es müsste ein Zufall sein, wenn sie nicht irgendwo wirklich gefunden würden. Das heißt, das Prinzip, nach welchem diese Gebräuche geordnet sind, ist ein viel allgemeineres als Frazer es erklärt und in unserer eigenen Seele vorhanden, so dass wir uns alle Möglichkeiten selbst ausdenken könnten. – Dass etwa der König eines Stammes für niemanden sichtbar bewahrt wird, können wir uns wohl vorstellen, aber auch, dass jeder Mann des Stammes ihn sehen soll. Das letztere wird dann gewiss nicht in irgendeiner mehr oder weniger zufälligen Weise geschehen dürfen, sondern er wird den Leuten *gezeigt* werden. Vielleicht wird ihn niemand berühren dürfen, vielleicht aber jeder berühren *müssen*. Denken wir daran, dass nach Schuberts Tod sein Bruder Partituren Schuberts in kleine Stücke zerschnitt und seinen Lieblingsschülern solche Stücke von einigen Takten gab. Diese Handlung, als Zeichen der Pietät, ist uns *ebenso* verständlich, wie die andere, die Partituren unberührt, niemandem zugänglich, aufzubewahren. Und hätte Schuberts Bruder die Partituren verbrannt, so wäre auch das als Zeichen der Pietät verständlich.
|
||||
|
||||
Das Zeremonielle (heiße oder kalte) im Gegensatz zum Zufälligen (lauen) charakterisiert die Pietät.
|
||||
|
||||
Ja, Frazers Erklärungen wären überhaupt keine Erklärungen, wenn sie nicht letzten Endes an eine Neigung in uns selbst appellierten.
|
||||
|
||||
Das Essen und Trinken ist mit Gefahren verbunden, nicht nur für den Wilden, sondern auch für uns; nichts natürlicher, als dass man sich vor diesen schützen will; und nun könnten wir uns selbst solche Schutzmaßnahmen ausdenken. – Aber nach welchem Prinzip denken wir sie uns aus //nach welchem Prinzip erdichten wir sie//? Offenbar danach, dass alle Gefahren der Form nach auf einige sehr einfache reduziert werden, die dem Menschen ohne weiteres sichtbar sind. Also nach dem selben Prinzip, nach dem die ungebildeten Leute unter uns sagen, die Krankheit ziehe sich vom Kopf in die Brust etc., etc. In diesen einfachen Bildern wird natürlich die Personifikation eine große Rolle spielen, denn, dass Menschen (also Geister) dem Menschen gefährlich werden können, ist uns //jedem// bekannt.
|
||||
|
||||
Dass der Schatten des Menschen, der wie ein Mensch ausschaut, oder sein Spiegelbild, dass Regen, Gewitter, die Mondphasen, der Jahreszeitwechsel, die Ähnlichkeit uns Verschiedenheit der Tiere unter einander und zum Menschen, die Erscheinungen des Todes, der Geburt und der Geschlechts-lebens, kurz alles, was der Mensch jahraus jahrein um sich wahrnimmt, in mannigfaltigster Weise mit einander verknüpft, in seinem Denken (seiner Philosophie) und seinen Gebräuchen auftreten //eine Rolle spielen// wird, ist selbstverständlich, oder ist eben das, was wir wirklich wissen und interessant ist.
|
||||
|
||||
Wie hätte das Feuer oder die Ähnlichkeit des Feuers mit der Sonne verfehlen können auf den erwachenden Menschengeist einen Eindruck zu machen. Aber nicht vielleicht »weil er sich's nicht erklären kann« (der dumme Aberglaube unserer Zeit) – denn wird es durch eine »Erklärung« weniger eindrucksvoll? –
|
||||
|
||||
Die Magie in »Alice in Wonderland« beim Trocknen durch Vorlesen des Trockensten was es gibt.
|
||||
|
||||
Bei der magischen Heilung einer Krankheit *bedeutet* man ihr, sie möge den Patienten verlassen.
|
||||
|
||||
Man möchte nach der Beschreibung so einer magischen Kur immer Sagen: Wenn *das* die Krankheit nicht versteht, so weiß ich nicht, *wie* man es ihr sagen soll.
|
||||
|
||||
Nichts ist so schwierig, wie //als// Gerechtigkeit gegen die Tatsachen.
|
||||
|
||||
Ich meine nicht, dass gerade das *Feuer* Jedem einen Eindruck machen muss. Das Feuer nicht mehr, wie jede andere Erscheinung, und die eine Erscheinung Dem, die andere Jenem. Denn keine Erscheinung ist an sich besonders geheimnisvoll, aber jede kann es uns werden, und das ist eben das Charakteristische am erwachenden Geist des Menschen, dass ihm eine Erscheinung bedeutend wird. Man könnte fast sagen, der Mensch sei ein zeremonielles Tier. Das ist wohl teils falsch, teils unsinnig, aber es ist auch etwas Richtiges daran.
|
||||
|
||||
Das heißt, man könnte ein Buch über Anthropologie so anfangen: Wenn man das Leben und Benehmen der Menschen auf der Erde betrachtet, so sieht man, dass sie außer den Handlungen, die man tierische nennen könnte, der Nahrungsaufnahme, etc., etc., etc., auch solche ausführen, die einen ganz anderen //eigentümlichen// Charakter tragen und die man rituelle Handlungen nennen könnte.
|
||||
|
||||
Nun aber ist es Unsinn, so fortzufahren, dass man als das Charakteristische *dieser* Handlungen sagt, sie seien solche, die aus fehlerhaften Anschauungen über die Physik der Dinge entsprängen. (So tut es Frazer, wenn er sagt, Magie sei wesentlich falsche Physik, bzw. Falsche Medizin //Heilkunst//, Technik, etc.)
|
||||
|
||||
Vielmehr ist das Charakteristische der rituellen Handlung gar keine Ansicht, Meinung, ob sie nun richtig oder falsch ist, obgleich eine Meinung – ein Glaube – selbst auch rituell sein kann, zum Ritus gehören kann.
|
||||
|
||||
Wenn man es für selbstverständlich hält, dass sich der Mensch an seiner Phantasie vergnügt, so bedenke man, dass diese Phantasie nicht wie ein gemaltes Bild oder ein plastisches Modell ist, sondern ein kompliziertes Gebilde aus heterogenen Bestandteilen: Wörtern und Bildern. Man wird dann das Operieren mit Schrift- und Lautzeichen nicht mehr in Gegensatz stellen zu dem Operieren mit »Vorstellungsbildern« der Ereignisse.
|
||||
|
||||
Wir müssen die ganze Sprache durchpflügen.
|
||||
|
||||
Frazer: »... That these observances are dictated by fear of the ghost of the slain seems certain; ...« Aber warum gebraucht Frazer denn das Wort »ghost«? Er versteht also sehr wohl diesen Aberglauben, da er ihn uns mit einem ihm geläufigen abergläubischen Wort erklärt. Oder vielmehr, er hätte daraus sehen können, dass auch in uns etwas für jene Handlungsweisen der Wilden spricht. – Wenn ich, der ich nicht glaube, dass es irgendwo menschlich-übermenschliche Wesen gibt, die man Götter nennen kann – wenn ich sage: »ich fürchte die Rache der Götter«, so zeigt das, dass ich damit etwas meinen (kann), oder einer Empfindung Ausdruck geben kann, die nichts mit jenem Glauben zu tun hat. //die nicht notwendig mit jenem Glauben verbunden ist.//
|
||||
|
||||
Frazer wäre im Stande zu glauben, dass ein Wilder aus Irrtum stirbt. In Volksschullesebüchern steht, dass Attila seine großen Kriegszüge unternommen hat, weil er glaubte, das Schwert des Donnergottes zu besitzen.
|
||||
|
||||
Frazer ist viel mehr savage, als die meisten seiner savages, denn diese werden nicht so weit vom Verständnis einer geistigen Angelegenheit entfernt sein, wie ein Engländer des 20sten Jahrhunderts.
|
||||
|
||||
*Seine* Erklärungen der primitiven Gebräuche sind viel roher, als der Sinn dieser Gebräuche selbst.
|
||||
|
||||
Die historische Erklärung, die Erklärung als eine Hypothese der Entwicklung ist nur *eine* Art der Zusammenfassung der Daten – ihrer Synopsis. Es ist ebenso wohl möglich, die Daten in ihrer Beziehung zu einander zu sehen und in ein allgemeines Bild zusammenfassen, ohne es in Form einer Hypothese über die zeitliche Entwicklung zu tun //machen//.
|
||||
|
||||
Identifizierung der eigenen Götter mit Göttern andrer Völker. Man überzeugt sich davon, dass die Namen die gleiche Bedeutung haben.
|
||||
|
||||
»Und so deutet das Chor auf ein geheimes Gesetz« möchte man zu der Frazerschen Tatsachensammlung sagen. Dieses Gesetz, diese Idee *kann* ich nun durch eine Entwicklungshypothese ausdrücken //darstellen// oder auch, analog dem Schema einer Pflanze, durch das Schema einer religiösen Zeremonie, oder aber durch die Gruppierung des Tatsachenmaterials allein, in einer »*übersichtlichen*« Darstellung.
|
||||
|
||||
---
|
||||
|
||||
Der Begriff der übersichtlichen Darstellung ist für uns von grundlegender Bedeutung. Er bezeichnet unsere Darstellungsform, die Art wie wir die Dinge sehen. (Eine Art der ›Weltanschauung‹ wie sie scheinbar für unsere Zeit typisch ist. Spengler.)
|
||||
|
||||
Diese übersichtliche Darstellung vermittelt das Verstehen //Verständnis//, welches eben darin besteht, dass wir die »Zusammenhänge sehen«. Daher die Wichtigkeit der *Zwischengliedern* //des Findens von *Zwischengliedern*//.
|
||||
|
||||
---
|
||||
|
||||
Ein hypothetisches Zwischenglied aber soll in diesem Falle nichts tun, als die Aufmerksamkeit auf die Ähnlichkeit, den Zusammenhang, der *Tatsachen* lenken. Wie wenn man eine interne Beziehung der Kreisform zur Ellipse dadurch illustrieren wollte //illustrierte//, dass man eine Ellipse allmählich in einen Kreis überführt; *aber nicht um zu behaupten, dass eine gewisse Ellipse tatsächlich, historisch, aus einem Kreis entstanden wäre* (Entwicklungshypothese), sondern nur um unser Auge für einen formalen Zusammenhang zu schärfen.
|
||||
|
||||
Aber auch die Entwicklungshypothese kann ich als weiter Nichts sehen, als die //eine// Einkleidung eines formalen Zusammenhangs.
|
||||
|
||||
---
|
||||
|
||||
Ich möchte sagen: nichts zeigt unsere Verwandtschaft mit jenen Wilden besser, als dass Frazer ein ihm und uns so geläufiges Wort wie »ghost« oder »shade« bei der Hand hat, um die Ansichten dieser Leute zu beschreiben.
|
||||
|
||||
\(Das ist ja doch etwas anderes, als wenn er etwa beschriebe, die Wilden bildeten //bilden// sich ein, dass ihnen ihr Kopf herunterfällt, wenn sie einen Feind erschlagen haben. Hier hätte *unsere Beschreibung* nichts Abergläubisches oder Magisches an sich.)
|
||||
|
||||
Ja, diese Sonderbarkeit bezieht sich nicht nur auf die Ausdrücke »ghost«~~,~~ //und// »shade«, und es wird viel zu wenig Aufhebens davon gemacht, dass wir das Wort »Seele«, »Geist« (»spirit«) zu unserem eigenen gebildeten Vokabular zählen. Dagegen ist eine Kleinigkeit, dass wir nicht glauben, dass unsere Seele isst und trinkt.
|
||||
|
||||
In unserer Sprache ist eine ganze Mythologie niedergelegt.
|
||||
|
||||
Austreiben des Todes oder Umbringen des Todes; aber anderseits wird er als Gerippe dargestellt, also selbst in gewissem Sinne tot. »As dead as death«. ›Nichts ist so tot wie der Tod; nichts so schön wie die Schönheit selbst‹. Das Bild, worunter man sich hier die Realität denkt ist, dass die Schönheit, der Tod, etc. die reine (konzentrierte) Substanz ist, während sie in einem schönen Gegenstand als Beimischung vorhanden ist. //reinen (konzentrierten Substanzen sind, während sie in einem schönen Gegenstand als Beimischung vorhanden sind.// – Und erkenne ich hier nicht meine eigenen Betrachtungen über ›Gegenstand‹ und ›Komplex‹?
|
||||
|
||||
---
|
||||
|
||||
In den alten Riten haben wir den Gebrauch einer äußerst ausgebildeten Gebärdensprache.
|
||||
|
||||
Und wenn ich in Frazer lese, so möchte ich auf Schritt und Tritt sagen: Alle diese Prozesse, diese Wandlungen der Bedeutung, haben wir noch in unserer Wortsprache vor uns. Wenn das, was sich in der letzten Garbe verbirgt, der ›Kornwolf‹ genannt wird, aber auch diese Garbe selbst, und auch der Mann der sie bindet, so erkennen wir hierin einen uns wohlbekannten sprachlichen Vorgang.
|
||||
|
||||
---
|
||||
|
||||
ø\\ Ich könnte mir denken, dass ich die Wahl gehabt hätte, ein Wesen der Erde als die Wohnung für meine Seele zu wählen und dass mein Geist dieses unansehnliche (nicht-anziehende) Geschöpf als seinen Sitz und Aussichtspunkt gewählt hätte. Etwa, weil ihm die Ausnahme eines schönen Sitzes zuwider wäre. Dazu müsste freilich der Geist seiner selbst sehr sicher sein.
|
||||
|
||||
ø\\ Man könnte sagen »jeder Aussicht ist ein Reiz abzugewinnen«, aber das wäre falsch. Richtig ist es, zu sagen, jede Aussicht ist bedeutsam für den der sie bedeutsam sieht (das heißt aber nicht, sie anders sieht als sie ist). Ja, in diesem Sinne, ist jede Aussicht gleich bedeutsam.
|
||||
|
||||
ø\\ Ja, es ist wichtig, dass ich auch //~~sogar~~// die Verachtung des Andern für mich mir zu eigen machen muss, als einen wesentlichen und bedeutsamen Teil der Welt von meinem Ort gesehen.
|
||||
|
||||
---
|
||||
|
||||
ø\\ Wenn es einem Menschen freigestellt wäre in einen Baum eines Waldes geboren zu werden //sich in einen Baum eines Waldes gebären zu lassen//: so gäbe es Solche, die sich den schönsten oder höchsten Baum aussuchen würden, solche die sich den kleinsten wählten und solche die sich einen Durchschnitts- oder minderen Durchschnittsbaum wählen würden, und zwar meine ich nicht aus Philiströsität, sondern aus eben dem Grund, oder der Art von Grund, warum sich der Andre den höchsten gewählt hat. Dass das Gefühl welches wir für unser Leben haben mit dem eines solchen Wesens, das sich seinen Standpunkt in der Welt wählen konnte, vergleichbar ist, liegt, glaube ich, dem Mythus – oder dem Glauben – zugrunde, wir hätten uns unsern Körper vor der Geburt gewählt.
|
||||
|
||||
---
|
||||
|
||||
ø\\ Ich glaube, das Charakteristische des primitiven Menschen ist es, dass er nicht aus *Meinungen* handelt (dagegen Frazer). Ich lese unter vielen ähnlichen Beispielen von einem Regen-König in Afrika zu dem die Leute um Regen bitten, *wenn die Regenperiode kommt*. Aber das heißt doch, dass sie nicht eigentlich meinen, er könne Regen machen, sonst würden sie es in den trockenen Perioden des Jahres, in der das Land »a parched and arid desert« ist, machen. Denn wenn man annimmt, dass die Leute einmal aus Dummheit dieses Amt des Regenkönigs eingesetzt haben, so ist es doch gewiss klar, dass sie schon vorher die Erfahrung hatten, dass im März der Regen beginnt und sie hätten dann den Regenkönig für den übrigen Teil des Jahres funktionieren lassen. Oder auch so: Gegen morgen, wenn die Sonne aufgehen will, werden von den Menschen Riten des Tagwerdens zelebriert, aber nicht in der Nacht, sondern da brennen sie einfach Lampen.
|
||||
|
||||
ø Wenn ich über etwas wütend bin, so schlage ich manchmal mit meinem Stock auf die Erde oder an einen Baum, etc. Aber ich *glaube* doch nicht, dass die Erde schuld ist, oder das Schlagen etwas helfen kann. »Ich lasse meinen Zorn aus«. Und dieser Art sind alle Riten. Solche Handlungen kann man Instinkt-Handlungen nennen. – Und eine historische Erklärung, etwa dass ich früher oder meine Vorfahren früher geglaubt haben, das Schlagen der Erde helfe etwas, sind Spiegelfechtereien, denn sie sind überflüssige Annahmen, die *nichts* erklären. Wichtig ist die Ähnlichkeit des Aktes mit einem Akt der Züchtigung, aber mehr als diese Ähnlichkeit ist nichts zu konstatieren.
|
||||
|
||||
Ist ein solches Phänomen einmal mit einem Instinkt, den ich selber besitze, in Verbindung gebracht, so ist eben dies die gewünschte //ersehnte// Erklärung; d.h. die welche das besondere puzzlement //diese besondere Schwierigkeit// löst. Und eine Betrachtung //weitere Forschung// über die Geschichte meines Instinkts bewegt sich nun auf andern Bahnen.
|
||||
|
||||
ø\\ Kein geringer Grund d.h. überhaupt kein *Grund* kann es gewesen sein, was gewisse Menschenrassen den Eichbaum verehren ließ, sondern nur das, dass sie und die Eiche in einer Lebensgemeinschaft //Symbiose// vereinigt waren, also nicht aus Wahl sondern wie der Floh ~~mit dem Hund~~ //und der Hund in ihrer Entstehung vereinigt// //mit einander entstanden//. (Entwickelten die Flöhe einen Ritus, er würde sich auf den Hund beziehen.)
|
||||
|
||||
ø\\ Man könnte sagen, nicht ihre Vereinigung (von Eiche und Mensch) hat zu diesen Riten die Veranlassung gegeben, sondern vielleicht ihre Trennung //sondern, in gewissem Sinne, ihre Trennung//.
|
||||
|
||||
ø\\ Denn das Erwachen des Intellekts geht mit einer Trennung von dem ursprünglichen *Boden* der ursprünglichen Grundlage des Lebens vor sich. (Die Entstehung der *Wahl*.)
|
||||
|
||||
ø\\ (Die Form des erwachenden Geistes ist die Verehrung.)
|
||||
|
||||
---
|
||||
|
||||
## II. Teil
|
||||
|
||||
168
|
||||
|
||||
Dies ist natürlich nicht so, dass das Volk glaubt, der Herrscher habe diese Kräfte, der Herrscher aber sehr wohl weiß, dass er sie nicht hat oder es nur dann nicht weiß, wenn er ein Schwachkopf oder Narr ist. Sondern die Notion von seiner Kraft ist natürlich schon so eingerichtet, dass sie mit der Erfahrung – des Volkes und seiner – übereinstimmen kann. Dass dabei irgend eine Heuchelei eine Rolle spielt ist nur wahr, sofern sie überhaupt bei dem meisten, was Menschen tun, nahe liegt.
|
||||
|
||||
169
|
||||
|
||||
Wenn ein Mensch in unserer (oder doch meiner) Gesellschaft zu viel lacht, so presse ich halb unwillkürlich die Lippen zusammen, als glaubte ich, die seinen dadurch zusammenhalten zu können.
|
||||
|
||||
170
|
||||
|
||||
Der Unsinn ist hier, dass Frazer es so darstellt, als hätten diese Völker eine vollkommen falsche (ja wahnsinnige) Vorstellung vom Laufe der Natur, während sie nur eine merkwürdige Interpretation der Phänomene besitzen. D.h. ihre Naturkenntnis, wenn sie sie niederschrieben, würde von der unsern sich nicht *fundamental* unterscheiden. Nur ihre *Magie* ist anders.
|
||||
|
||||
171
|
||||
|
||||
»A network of prohibitions and observances of which the intention is not to contribute to his dignity...« Das ist wahr und falsch. Freilich nicht die Würde des Schutzes der Person wohl aber die – sozusagen – natürliche Heiligkeit der Gottheit in ihm.
|
||||
|
||||
So einfach es klingt: der Unterschied zwischen Magie und Wissenschaft kann dahin ausgedrückt werden, dass es in der Wissenschaft einen Fortschritt gibt, aber nicht in der Magie. Die Magie hat keine Richtung der Entwicklung, die in ihr selbst liegt.
|
||||
|
||||
179
|
||||
|
||||
Wieviel mehr Wahrheit darin, dass der Seele dieselbe Multiplizität gegeben wird wie dem Leib als in einer modernen verwässerten Theorie.
|
||||
|
||||
Frazer merkt nicht, dass wir da Platos und Schopenhauers Lehre vor uns haben.
|
||||
|
||||
Alle kindlichen (infantilen) Theorien finden wir in der heutigen Philosophie wieder; nur nicht mit dem Gewinnenden des Kindlichen.
|
||||
|
||||
614
|
||||
|
||||
Das Auffallendste schiene mir außer den Ähnlichkeiten die Verschiedenheit *aller* dieser Riten zu sein. Es ist eine Mannigfaltigkeit von Gesichtern mit gemeinsamen Zügen die da und dort immer wieder auftauchen. Und was man tun möchte, ist Linien ziehen, die die gemeinsamen Bestandteile verbinden. Es fehlt dann noch ein Teil der Betrachtung und es ist der, welcher dieses Bild mit unsern eigenen Gefühlen und Gedanken in Verbindung bringt. Dieser Teil gibt der Betrachtung ihre Tiefe.
|
||||
|
||||
In allen diesen Gebräuchen sieht man allerdings etwas, der Ideenassoziation *Ähnliches* und mit ihr Verwandtes. Man könnte von einer Assoziation der Gebräuche reden.
|
||||
|
||||
618
|
||||
|
||||
Nichts spricht dafür, warum das Feuer mit solchem Nimbus umgeben sein sollte. Und, wie seltsam, was heißt es eigentlich »es schien vom Himmel gekommen zu sein«? von welchem Himmel. Nein, es ist gar nicht selbstverständlich, dass das Feuer so betrachtet wird; – aber es wird eben so betrachtet.
|
||||
|
||||
Hier scheint die Hypothese erst der Sache Tiefe zu geben. Und man kann sich an die Erklärung des seltsamen Verhältnisses von Siegfried und Brunhild im neueren Nibelungenlied erinnern. Nämlich dass Siegfried Brunhilde schon früher einmal gesehen zu haben scheint. Es ist nun klar, dass, was diesem Gebrauch Tiefe gibt, sein *Zusammenhang* mit dem Verbrennen eines Menschen ist. Wenn es bei irgendeinem Fest Sitte wäre, dass Menschen (wie beim Roß-und-Reiter-Spiel) auf einander reiten, so würden wir darin nichts sehen als eine Form des Tragens, die an das Reiten des Menschen auf einem Pferd erinnert; – wüssten wir aber, dass es unter vielen Völkern Sitte gewesen wäre etwa Sklaven als Reittiere zu benützen und so beritten gewisse Feste zu feiern, so würden wir jetzt in dem harmlosen Gebrauch unserer Zeit etwas Tieferes und weniger Harmloses entdecken //sehen// //finden//. Die Frage ist: haftet dieses – sagen wir – Finstere dem Gebrauch des Beltane Feuers wie er vor 100 Jahren geübt wurde (an sich) an, oder nur dann, wenn die Hypothese seiner Entstehung sich bewahrheiten sollte~~?~~. Ich glaube, es ist offenbar die innere Natur des ~~modernen~~ //neuzeitlichen// Gebrauchs selbst, die uns finster anmutet, und die uns bekannten Tatsachen von Menschenopfern weisen nur die Richtung, in der wir den Gebrauch ansehen sollen. Wenn ich von der inneren Natur des Gebrauchs rede, meine ich alle Umstände, in denen er geübt wird, und die in dem Bericht von so einem Fest nicht enthalten sind, da sie nicht sowohl in bestimmten Handlungen bestehen, die das Fest charakterisieren, als in dem was man den Geist des Festes nennen könnte, welcher beschrieben würde, indem man z.B. die Art von Leuten beschriebe, die daran teilnehmen, ihre übrige Handlungsweise, d.h. ihren Charakter; die Art der Spiele, die sie sonst spielen. Und man würde dann sehen, dass das Finstere im Charakter dieser Menschen selbst liegt.
|
||||
|
||||
619
|
||||
|
||||
Hier sieht etwas aus wie die Überreste eines Losens. Und durch diesen Aspekt gewinnt es plötzlich Tiefe. Würden wir erfahren, dass der Kuchen mit den Knöpfen in einem bestimmten Fall etwa »ursprünglich« zu Ehren eines Knopfmachers »zu seinem Geburtstag« gebacken worden sei und sich der Gebrauch dann in der Gegend erhalten habe, so würde dieser Gebrauch tatsächlich alles »Tiefe« verlieren, es sei denn, dass es in seiner gegenwärtigen Form an sich liegt. Aber man sagt in so einem Fall oft: »dieser Gebrauch ist *offenbar* uralt«. Woher weiß man das? Ist es nur weil man historisches Zeugnis über derartige alte Gebräuche hat? Oder hat es noch einen andern Grund, einen den man durch Interpretation gewinnt? Aber auch, wenn die vorzeitliche Herkunft des Gebrauchs und die Abstammung von einem finstern Gebrauch historisch erwiesen ist, so ist es doch möglich, dass der Gebrauch heute *gar nichts* mehr Finsteres an sich hat, dass nichts von dem vorzeitlichen Grauen an ihm hängen geblieben ist. Vielleicht wird er heute nur mehr von Kindern geübt, die im Kuchenbacken und Verzieren mit Knöpfen wetteifern.
|
||||
|
||||
Dann liegt das Tiefe also nur im Gedanken an jene Abstammung. Aber diese kann doch ganz unsicher sein und man möchte sagen: »wozu sich über eine so unsichere Sache Sorgen machen //sorgen//« (wie eine rückwärts schauende Kluge Else). Aber solche Sorgen sind es nicht. – Vor allem: woher die Sicherheit dass ein solcher Gebrauch uralt sein muss (was sind unsre Daten, was ist die Verifikation)? Aber haben wir denn eine Sicherheit, können wir uns nicht darin irren und des Irrtums historisch überführt werden? Gewiss, aber es bleibt dann noch immer etwas, dessen wir sicher sind. Wir würden dann sagen »Gut in diesem *einen* Fall mag die Herkunft anders sein, aber im allgemeinen ist sie sicher die vorzeitliche«. Was uns dafür *Evidenz* ist, das muss die Tiefe dieser Annahme enthalten. Und diese Evidenz ist wieder eine nicht-hypothetische psychologische. Wenn ich nämlich sage: das Tiefe in //*an*// diesem Gebrauch liegt in seiner Herkunft *wenn* es sich so zugetragen hat. So ~~muss~~ //liegt// also entweder das Tiefe in dem Gedanken an so eine Herkunft oder das Tiefe ist selbst nur hypothetisch und man kann nur sagen: *Wenn* es sich so zuge- tragen hat, so war das eine finstere tiefe Geschichte. Ich will sagen: Das Finstere, Tiefe liegt nicht darin, dass es sich mit der Geschichte *dieses* Gebrauches so verhalten hat, denn vielleicht hat es sich gar nicht so verhalten; auch nicht darin, dass es sich vielleicht oder wahrscheinlich so verhalten hat, sondern in dem, was mir Grund gibt, das anzunehmen. – Ja woher überhaupt das Tiefe und Finstere im Menschenopfer. Denn sind es nur die Leiden des Opfers die uns den Eindruck machen? Krankheiten aller Art, die mit ebensoviel Leiden verbunden sind, rufen diesen Eindruck *doch* nicht hervor. Nein, dies Tiefe und Finstere versteht sich nicht von selbst, wenn wir nur die Geschichte der äußeren Handlung erfahren, sondern *wir* tragen es wieder hinein aus einer Erfahrung in unserm Innern.
|
||||
|
||||
Die Tatsache, dass das Los durch einen Kuchen gezogen wird, hat (auch) etwas besonders Schreckliches (beinahe wie der Verrat durch einen Kuss), und dass uns das besonders schrecklich anmutet, hat wieder eine wesentliche Bedeutung für die Untersuchung solcher Ge-bräuche [eines solchen Gebrauchs].
|
||||
|
||||
Es ist, wenn ich so einen Gebrauch sehe, von ihm höre, wie wenn ich einen Mann sehe der //wie er// bei ~~d~~ Gelegenheit //einem geringfügigen// //geringfügigem Anlass// streng mit einem andern spricht, und aus dem Ton der Stimme und dem Gesicht merke //~~den Eindruck erhalte~~//, dass dieser Mann bei gegebenem Anlass furchtbar sein kann. Der Eindruck, den ich hier erhalte, kann ein sehr tiefer und außerordentlich ernster sein.
|
||||
|
||||
Die *Umgebung* einer Handlungsweise.
|
||||
|
||||
Eine Annahme //Überzeugung// liegt jedenfalls den Annahmen über den Ursprung des Beltanefestes – z.B. – zu Grunde; die ist, dass solche Feste nicht von einem Menschen, sozusagen aufs Geratewohl, erfunden werden, sondern eine unendlich viel breitere Basis brauchen, um sich zu erhalten. Wollte ich ein Fest erfinden, so würde es baldigst aussterben oder aber auf solcher Weise modifiziert werden, dass es einem allgemeinen Hang der Leute entspricht.
|
||||
|
||||
Was aber wehrt sich dagegen anzunehmen, das Beltanefest sei immer in der gegenwärtigen (oder jüngstvergangenen) Form gefeiert worden? Man möchte sagen: Es ist zu sinnlos, um so erfunden worden zu sein. Ist es nicht, wie wenn ich eine Ruine sehe und sage: das muss einmal ein Haus gewesen sein, denn niemand würde einen so beschaffenen Haufen behauener und unregelmäßiger Steine errichten? Und wenn gefragt würde: Woher weißt du das? //,// so könnte ich nur sagen: Meine Erfahrung mit den Menschen lehrt es mich. Ja selbst da, wo sie wirklich Ruinen bauen, nehmen sie die Formen von eingestürzten Häusern her.
|
||||
|
||||
Man könnte auch so sagen: Wer uns mit der Erzählung vom Beltanefest einen Eindruck machen wollte, brauchte jedenfalls die Hypothese von seiner Herkunft nicht zu äußern, sondern er brauchte uns nur das Material (das zu dieser Hypothese führt) vorlegen und nichts weiter dazu sagen. Nun möchte man vielleicht sagen: »Freilich, weil der Hörer, oder Leser, den Schluss selber ziehen wird!« Aber muss er diesen Schluss explizite ziehen? Also, überhaupt ziehen? Und was ist es denn für ein Schluss? Dass das oder jenes *wahrscheinlich* ist?! Und wenn er den Schluss selber ziehen kann, ~~warum~~ wie soll ihm der Schluss einen Eindruck machen? Was ihm den Eindruck macht, muss doch das sein, was *er* nicht gemacht hat! Impressioniert ihn also erst die geäußerte ~~oder jede~~ Hypothese (ob von ihm oder andern geäußert) oder schon das Material zu ihr?
|
||||
|
||||
Aber könnte ich da nicht ebenso gut fragen: Wenn ~~einer~~ ich sehe, wie einer umgebracht wird, – impressioniert mich da einfach, was ich sehe, oder erst die Hypothese, dass hier ein Mensch umgebracht wird?
|
||||
|
||||
Aber es ist ja nicht einfach der Gedanke an die mögliche Herkunft des Beltanefestes, welcher den Eindruck mit sich führt, sondern, was man die ungeheure Wahrscheinlichkeit dieses Gedankens nennen möchte //nennt//. Als das, was vom Material hergenommen ist.
|
||||
|
||||
So wie das Beltanefest auf uns gekommen ist, ist es ja ein Schauspiel und ähnlich wie wenn Kinder Räuber spielen. Aber doch nicht so. Denn wenn es auch abgekartet ist, dass die Partei, die das Opfer rettet, gewinnt, so hat doch was geschieht noch immer einen Temperamentszusatz, den die bloße schauspielerische Darstellung nicht hat. – Aber auch wenn es sich bloß um eine ganz kühle Darstellung handelte, würden wir uns doch beunruhigt fragen: was soll diese Darstellung, was ist ihr *Sinn*?! Und sie könnte uns abgesehen von jeder Deutung dann durch ihre eigentümliche Sinnlosigkeit beunruhigen. (Was zeigt, welcher Art der Grund so einer Beunruhigung sein kann.) Würde nun etwa eine harmlose Deutung gegeben: Das Los werde einfach geworfen, damit man das Vergnügen hätte, jemandem damit drohen zu können, ins Feuer geworfen zu werden, was nicht angenehm sei; so wird das Beltanefest allerdings viel ähnlicher einem jener Belustigungen, wo einer der Gesellschaft gewisse Grausamkeiten zu erdulden hat, und die, so wie sie sind, ein Bedürfnis befriedigen. Und das Beltanefest würde durch so eine Erklärung auch wirklich jedes Geheimnisvolle verlieren, wenn es eben nicht selbst in der Handlung wie in der Stimmung von solchen gewöhnlichen Räuberspielen etc. abwiche.
|
||||
|
||||
Ebenso, dass Kinder an gewissen Tagen einen Strohmann verbrennen, auch wenn dafür keine Erklärung gegeben würde, könnte uns beunruhigen. Seltsam dass *ein Mensch* festlich von ihnen verbrannt werden sollte! Ich will sagen: die Lösung ist nicht beunruhigender als das Rätsel.
|
||||
|
||||
Warum soll es aber nicht wirklich nur (oder doch zum Teil) der *Gedanke* sein, der mir den Eindruck gibt? Sind denn Vorstellungen nicht furchtbar? Kann mir bei dem Gedanken, dass der Kuchen mit den Knöpfen einmal dazu gedient hat, das Todesopfer auszulosen, nicht schaurig zumute sein //werden//? Hat nicht der *Gedanke* etwas Furchtbares? – Ja, aber das, was ich in jenen Erzählungen sehe, gewinnen sie doch durch die Evidenz, auch durch solche, die damit nicht unmittelbar verbunden zu sein scheint, durch den Gedanken an den Menschen und seine Vergangenheit, durch all das Seltsame, das ich in mir und dem andern sehe, gesehen und gehört habe.
|
||||
|
||||
640
|
||||
|
||||
Das kann man sich sehr gut vorstellen //denken// – und als Grund wäre etwa angegeben worden, dass die Schutzheiligen sonst gegeneinander ziehen würden und dass nur einer die Sache dirigieren könne. Aber auch das wohl nur eine (nachträgliche) Ausdeutung des Instinkts.
|
||||
|
||||
Alle diese *verschiedenen* Gebräuche zeigen, dass es sich hier nicht um die Abstammung des einen vom andern handelt, sondern um einen gemeinsamen Geist. Und man könnte alle diese Zeremonien selber erfinden (erdichten). Und der Geist, aus dem man sie erfände, wäre eben ihr gemeinsamer Geist.
|
||||
|
||||
641
|
||||
|
||||
Die Verbindung von Krankheit und Schmutz. »Von einer Krankheit reinigen«.
|
||||
|
||||
Es liefert eine einfache kindliche Theorie der Krankheit, dass sie ein Schmutz ist, der abgewaschen werden kann.
|
||||
|
||||
Wie es »infantile Sexualtheorien gibt«, so überhaupt infantile Theorien. Das heißt aber nicht, dass alles was ein Kind tut *aus* einer infantilen Theorie als seinem Grund hervorgegangen ist.
|
||||
|
||||
Das Richtige und Interessante ist nicht zu sagen, das ist aus dem hervorgegangen, sondern: es könnte so hervorgegangen sein.
|
||||
|
||||
643
|
||||
|
||||
Dass das Feuer zur Reinigung gebraucht wurde, ist klar. Aber nichts kann wahrscheinlicher sein, als dass die denkenden Menschen Reinigungszeremonien, auch wo sie ursprünglich nur als solche gedacht gewesen wären, später mit der Sonne in Zusammenhang gebracht haben. Wenn sich einem Menschen ein Gedanke aufdrängt (Feuer-Reinigung) und einem ein anderer (Feuer-Sonne), was kann wahrscheinlicher sein, als dass sich einem Menschen beide Gedanken aufdrängen werden. Die Gelehrten, die immer *eine* Theorie haben möchten!!!
|
||||
|
||||
Die *gänzliche* Zerstörung durch das Feuer anders als durch Zerschlagen Zerreißen etc. muss den Menschen aufgefallen sein.
|
||||
|
||||
Auch wenn man nichts von einer solchen Verbindung des Reinigung und Sonne Gedankens wüsste, könnte man annehmen, dass er irgendwo wird aufgetreten sein.
|
||||
|
||||
680
|
||||
|
||||
»soul-stone«
|
||||
|
||||
Da sieht man, wie eine solche Hypothese arbeitet.
|
||||
|
||||
681
|
||||
|
||||
Das würde darauf deuten, dass hier eine Wahrheit zu Grunde liegt und kein Aberglaube. (Freilich ist es dem dummen Wissenschaftler gegenüber leicht, in den Geist des Widerspruchs zu verfallen.) Aber es kann sehr wohl sein, dass der völlig enthaarte Leib uns in irgend einem Sinne den Selbstrespekt zu verlieren verleitet.
|
||||
|
||||
\(Brüder Karamasoff)
|
||||
|
||||
Es ist gar kein Zweifel, dass eine Verstümmelung, die uns in unseren Augen unwürdig, lächerlich, aussehen macht, uns allen Willen rauben kann, uns zu verteidigen. Wie verlegen werden wir manchmal – oder doch viele Menschen (ich) – durch unsere physische oder ästhetische Inferiorität.
|
||||
|
||||
---
|
||||
|
||||
[^1]: Wittgenstein, L. 2016–. [Interactive Dynamic Presentation (IDP) of Ludwig Wittgenstein’s philosophical Nachlass](http://wab.uib.no/transform/wab.php?modus=opsjoner), ed. by the Wittgenstein Archives at the University of Bergen under the direction of Alois Pichler, Bergen.
|
||||
@@ -0,0 +1,34 @@
|
||||
# Bemerkungen über Frazers “The Golden Bough” — Index
|
||||
|
||||
*Quelle: `wittgenstein-schriften/Bemerkungen über Frazers “The Golden Bough”/Bemerkungen über Frazers “The Golden Bough”.md` ( 321 Zeilen). Index automatisch erzeugt (grep-basiert). Zeilennummern beziehen sich auf diese Datei. Für eine vollständige Übersicht der Verweise: Volltextsuche in Obsidian.*
|
||||
|
||||
## Struktur — Hauptüberschriften
|
||||
|
||||
- Z. 6: Editor's Note
|
||||
- Z. 12: Bemerkungen über Frazers “The Golden Bough”
|
||||
- Z. 14: I. Teil
|
||||
- Z. 214: II. Teil
|
||||
|
||||
## Personen
|
||||
|
||||
- **Augustinus** (1) — Z. 40
|
||||
- **Frazer** (15 Treffer) — erste: Z. 44,52,56,102,104,108,132,140,142,144 …
|
||||
- **Spengler** (1) — Z. 156
|
||||
|
||||
## Begriffe (deutsch)
|
||||
|
||||
- **Bild** (7) — Z. 82,86,100,136,148,176,244
|
||||
- **Form** (6) — Z. 114,148,210,252,256,268
|
||||
- **Gegenstand** (3) — Z. 82,88,176
|
||||
- **Tatsache** (1) — Z. 260
|
||||
- **Welt** (3) — Z. 26,190,194
|
||||
- **Sinn** (2) — Z. 146,276
|
||||
- **Bedeutung** (4) — Z. 150,156,182,260
|
||||
- **Wahrheit** (5) — Z. 30,32,34,236,314
|
||||
- **Empfindung** (1) — Z. 140
|
||||
- **Aspekt** (1) — Z. 256
|
||||
- **übersichtliche Darstellung** (1) — Z. 158
|
||||
|
||||
## Themen-Tags
|
||||
|
||||
Siehe `Übersicht/` für vollständige Metadaten und `Atlas/` für werkübergreifende Themen.
|
||||
|
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|
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|
||||
# Bemerkungen über die Farben — Index
|
||||
|
||||
*Quelle: `wittgenstein-schriften/Bemerkungen über die Farben/Bemerkungen über die Farben.md` ( 1179 Zeilen). Index automatisch erzeugt (grep-basiert). Zeilennummern beziehen sich auf diese Datei. Für eine vollständige Übersicht der Verweise: Volltextsuche in Obsidian.*
|
||||
|
||||
## Struktur — Hauptüberschriften
|
||||
|
||||
- Z. 6: Editor's Note
|
||||
- Z. 14: Bemerkungen über die Farben
|
||||
- Z. 16: Teil I
|
||||
- Z. 226: Teil II
|
||||
- Z. 278: Teil III
|
||||
|
||||
## Personen
|
||||
|
||||
- **Goethe** (13 Treffer) — erste: Z. 20,54,146,186,188,268,440,532,616,618 …
|
||||
- **Newton** (1) — Z. 618
|
||||
- **Freud** (1) — Z. 882
|
||||
|
||||
## Begriffe (deutsch)
|
||||
|
||||
- **Bild** (20) — Z. 20,178,258,260,282,330,334,336 …
|
||||
- **Form** (8) — Z. 18,164,400,428,632,636,976,1150
|
||||
- **Gegenstand** (3) — Z. 408,566,748
|
||||
- **Tatsache** (2) — Z. 300,426
|
||||
- **Welt** (3) — Z. 1086,1088,1092
|
||||
- **Satz** (19) — Z. 18,154,156,218,222,232,234,290 …
|
||||
- **Sinn** (7) — Z. 92,312,326,714,716,1098,1138
|
||||
- **Bedeutung** (6) — Z. 108,294,452,638,862,1102
|
||||
- **Wahrheit** (2) — Z. 214,1176
|
||||
- **Mathematik** (3) — Z. 196,592,1036
|
||||
- **Zahl** (3) — Z. 352,356,358
|
||||
- **Regel** (5) — Z. 66,86,752,754,816
|
||||
- **Sprachspiel** (8) — Z. 18,378,546,578,634,636,1038,1046
|
||||
- **Schmerz** (4) — Z. 154,156,960,1068
|
||||
- **Grenze** (2) — Z. 92,326
|
||||
|
||||
## Themen-Tags
|
||||
|
||||
Siehe `Übersicht/` für vollständige Metadaten und `Atlas/` für werkübergreifende Themen.
|
||||
|
After Width: | Height: | Size: 435 KiB |
|
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|
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|
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@@ -0,0 +1,55 @@
|
||||
# Bemerkungen über die Grundlagen der Mathematik — Index
|
||||
|
||||
*Quelle: `wittgenstein-schriften/Bemerkungen über die Grundlagen der Mathematik/Bemerkungen über die Grundlagen der Mathematik.md` ( 4329 Zeilen). Index automatisch erzeugt (grep-basiert). Zeilennummern beziehen sich auf diese Datei. Für eine vollständige Übersicht der Verweise: Volltextsuche in Obsidian.*
|
||||
|
||||
## Struktur — Hauptüberschriften
|
||||
|
||||
- Z. 16: I
|
||||
- Z. 541: I App I
|
||||
- Z. 629: I App II
|
||||
- Z. 663: I App III
|
||||
- Z. 707: II
|
||||
- Z. 905: III
|
||||
- Z. 1800: IV
|
||||
- Z. 2210: V
|
||||
- Z. 2786: VI
|
||||
- Z. 3410: VII
|
||||
|
||||
## Personen
|
||||
|
||||
- **Frege** (6) — Z. 90,435,483,1938,2020,3990
|
||||
- **Russell** (21 Treffer) — erste: Z. 80,82,88,90,673,675,677,679,685,695 …
|
||||
- **Spengler** (1) — Z. 1924
|
||||
- **Ramsey** (2) — Z. 289,3074
|
||||
- **Brahms** (1) — Z. 3578
|
||||
- **Sraffa** (1) — Z. 1511
|
||||
|
||||
## Begriffe (deutsch)
|
||||
|
||||
- **Bild** (105) — Z. 60,62,66,70,92,116,153,217 …
|
||||
- **Form** (59) — Z. 20,128,130,132,177,231,235,261 …
|
||||
- **logische Form** (1) — Z. 2694
|
||||
- **Gegenstand** (13) — Z. 301,363,377,419,435,1599,1668,2040 …
|
||||
- **Sachverhalt** (3) — Z. 82,631,647
|
||||
- **Tatsache** (21) — Z. 245,247,249,417,487,695,1027,1341 …
|
||||
- **Welt** (4) — Z. 56,847,1698,3200
|
||||
- **Satz** (295) — Z. 20,48,52,54,70,80,82,86 …
|
||||
- **Sinn** (82) — Z. 62,128,177,343,363,385,393,429 …
|
||||
- **Bedeutung** (43) — Z. 60,68,429,543,569,577,581,587 …
|
||||
- **Wahrheit** (33) — Z. 46,48,50,78,441,491,693,699 …
|
||||
- **Operation** (10) — Z. 535,1756,2078,2896,2998,3058,3554,3556 …
|
||||
- **Funktion** (13) — Z. 379,601,861,1385,1834,1840,1974,2666 …
|
||||
- **Beweis** (250) — Z. 80,126,128,134,143,145,147,149 …
|
||||
- **Mathematik** (176) — Z. 1,46,104,110,120,159,163,173 …
|
||||
- **Zahl** (68) — Z. 20,44,54,289,301,303,351,369 …
|
||||
- **Regel** (215) — Z. 52,54,88,147,259,301,375,379 …
|
||||
- **Sprachspiel** (48) — Z. 78,82,86,421,675,687,1549,1587 …
|
||||
- **Schmerz** (1) — Z. 1599
|
||||
- **Empfindung** (1) — Z. 363
|
||||
- **Aspekt** (13) — Z. 773,847,1331,1337,1375,1385,1387,1391 …
|
||||
- **Subjekt** (1) — Z. 2700
|
||||
- **Grenze** (6) — Z. 393,857,1972,1978,2710,4278
|
||||
|
||||
## Themen-Tags
|
||||
|
||||
Siehe `Übersicht/` für vollständige Metadaten und `Atlas/` für werkübergreifende Themen.
|
||||
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# Bemerkungen über die Philosophie der Psychologie — Index
|
||||
|
||||
*Quelle: `wittgenstein-schriften/Bemerkungen über die Philosophie der Psychologie/Bemerkungen über die Philosophie der Psychologie.md` ( 3840 Zeilen). Index automatisch erzeugt (grep-basiert). Zeilennummern beziehen sich auf diese Datei. Für eine vollständige Übersicht der Verweise: Volltextsuche in Obsidian.*
|
||||
|
||||
## Struktur — Hauptüberschriften
|
||||
|
||||
- Z. 16: I
|
||||
- Z. 2323: II
|
||||
|
||||
## Personen
|
||||
|
||||
- **W James** (1) — Z. 3507
|
||||
- **James** (7) — Z. 372,534,696,930,1484,2861,2977
|
||||
- **Frege** (1) — Z. 1028
|
||||
- **Russell** (2) — Z. 568,1624
|
||||
- **Moore** (1) — Z. 970
|
||||
- **Goethe** (4) — Z. 678,702,1808,1930
|
||||
- **Köhler** (9) — Z. 1152,1768,1972,1984,1994,2076,2100,2277,3003
|
||||
- **Beethoven** (3) — Z. 512,702,1736
|
||||
|
||||
## Begriffe (deutsch)
|
||||
|
||||
- **Bild** (179) — Z. 28,70,72,170,172,174,182,218 …
|
||||
- **Form** (55) — Z. 68,112,192,222,382,434,546,574 …
|
||||
- **logische Form** (1) — Z. 2082
|
||||
- **Gegenstand** (48) — Z. 120,242,264,302,332,356,440,576 …
|
||||
- **Sachlage** (1) — Z. 300
|
||||
- **Tatsache** (21) — Z. 276,298,514,914,1166,1176,1248,1290 …
|
||||
- **Welt** (14) — Z. 112,820,902,910,1314,1470,1822,1828 …
|
||||
- **Satz** (111) — Z. 32,78,92,94,96,98,102,104 …
|
||||
- **Sinn** (89) — Z. 104,140,218,258,270,288,328,336 …
|
||||
- **Bedeutung** (99) — Z. 28,92,96,102,108,122,128,132 …
|
||||
- **Wahrheit** (12) — Z. 34,78,152,606,1866,1894,2511,2535 …
|
||||
- **Operation** (1) — Z. 2657
|
||||
- **Funktion** (8) — Z. 1266,1606,1734,1864,1904,1980,2963,3669
|
||||
- **Beweis** (6) — Z. 40,442,1678,1784,2108,3367
|
||||
- **Mathematik** (9) — Z. 1134,1278,2062,2108,2811,3367,3567,3709 …
|
||||
- **Zahl** (9) — Z. 220,598,848,1318,1648,2110,2623,3149 …
|
||||
- **Regel** (20) — Z. 558,846,1134,1206,2226,2233,2287,2617 …
|
||||
- **Sprachspiel** (70) — Z. 152,308,326,352,558,660,764,770 …
|
||||
- **Familienähnlichkeit** (1) — Z. 3469
|
||||
- **Schmerz** (67) — Z. 248,282,298,314,316,328,330,332 …
|
||||
- **Empfindung** (56) — Z. 28,250,252,298,404,636,638,642 …
|
||||
- **Aspekt** (51) — Z. 84,162,852,858,872,876,886,1042 …
|
||||
- **Subjekt** (5) — Z. 38,600,606,1648,2969
|
||||
- **Grenze** (6) — Z. 114,1734,2251,3567,3585,3599
|
||||
|
||||
## Themen-Tags
|
||||
|
||||
Siehe `Übersicht/` für vollständige Metadaten und `Atlas/` für werkübergreifende Themen.
|
||||
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|
||||
---
|
||||
title: Wittgensteins Schriften — Master-Index
|
||||
type: MOC
|
||||
tags:
|
||||
- wittgenstein
|
||||
- primärquelle
|
||||
- moc
|
||||
---
|
||||
|
||||
# Wittgensteins Schriften — Master-Index
|
||||
|
||||
Volltext-Konvertierungen aller gemeinfreien Hauptwerke Ludwig Wittgensteins. Quelle (überwiegend): **Ludwig Wittgenstein Project** (wittgensteinproject.org), gemeinfreie Editionen. Einzelheiten siehe `Übersicht/` pro Werk.
|
||||
|
||||
## Werke chronologisch (Komposition)
|
||||
|
||||
| Werk | Komposition | Erstveröff. | Datei | Metadaten |
|
||||
|---|---|---|---|---|
|
||||
| **Tagebücher 1914–1916** (TB) | 1914–1916 | 1961 | [[Tagebücher 1914-1916/Tagebücher 1914-1916]] | [[Übersicht/02-tagebuecher-1914-1916]] |
|
||||
| **Logisch-philosophische Abhandlung** (ABH) | 1912–1918 | 1921 | [[Logisch-philosophische Abhandlung/Logisch-philosophische Abhandlung]] | [[Übersicht/01-logisch-philosophische-abhandlung]] |
|
||||
| **Wörterbuch für Volksschulen** | 1925 | 1926 | [[Wörterbuch für Volksschulen/Wörterbuch für Volksschulen]] | [[Übersicht/03-woerterbuch-fuer-volksschulen]] |
|
||||
| **Vortrag über Ethik** | 1929 | 1965 | [[Vortrag über Ethik/Vortrag über Ethik]] | [[Übersicht/04-vortrag-ueber-ethik]] |
|
||||
| **Bemerkungen über Frazers ‚Golden Bough'** | 1931 + 1936/48 | 1967 | [[Bemerkungen über Frazers “The Golden Bough”/Bemerkungen über Frazers “The Golden Bough”]] | [[Übersicht/06-bemerkungen-ueber-frazer]] |
|
||||
| **The Blue and Brown Books** (englisch) | 1933–1935 | 1958 | [[The Blue and Brown Books/The Blue and Brown Books]] | [[Übersicht/07-blue-and-brown-books]] |
|
||||
| **Ursache und Wirkung** | 1937 | 1976 | [[Ursache und Wirkung/Ursache und Wirkung]] | [[Übersicht/05-ursache-und-wirkung]] |
|
||||
| **Bemerkungen über die Grundlagen der Mathematik** (BGM) | 1937–1944 | 1956 | [[Bemerkungen über die Grundlagen der Mathematik/Bemerkungen über die Grundlagen der Mathematik]] | [[Übersicht/08-bemerkungen-grundlagen-mathematik]] |
|
||||
| **Philosophische Untersuchungen** (PU) | 1936–1949 | 1953 | [[Philosophische Untersuchungen/Philosophische Untersuchungen]] | [[Übersicht/09-philosophische-untersuchungen]] |
|
||||
| **Zettel** (Z) | 1929–1948 / 1945–48 sortiert | 1967 | [[Zettel/Zettel]] | [[Übersicht/13-zettel]] |
|
||||
| **Bemerkungen über die Philosophie der Psychologie** (BPP) | 1946–1948 | 1980 | [[Bemerkungen über die Philosophie der Psychologie/Bemerkungen über die Philosophie der Psychologie]] | [[Übersicht/11-bemerkungen-philosophie-psychologie]] |
|
||||
| **Letzte Schriften über die Philosophie der Psychologie** (LSPP) | 1948–1951 | 1982 / 1992 | [[Letzte Schriften über die Philosophie der Psychologie/Letzte Schriften über die Philosophie der Psychologie]] | [[Übersicht/12-letzte-schriften-philosophie-psychologie]] |
|
||||
| **Philosophie der Psychologie — Ein Fragment** (PPF, ehem. „PU Teil II") | 1946–1949 | 1953 | [[Philosophie der Psychologie - Ein Fragment/Philosophie der Psychologie - Ein Fragment]] | [[Übersicht/10-philosophie-der-psychologie-ein-fragment]] |
|
||||
| **Bemerkungen über die Farben** (BdF) | 1950–1951 | 1977 | [[Bemerkungen über die Farben/Bemerkungen über die Farben]] | [[Übersicht/14-bemerkungen-ueber-die-farben]] |
|
||||
| **Über Gewißheit** (ÜG) | 1950–1951 | 1969 | [[Über Gewißheit/Über Gewißheit]] | [[Übersicht/15-ueber-gewissheit]] |
|
||||
| **Vermischte Bemerkungen** (VB) | 1914–1951 (Auswahl) | 1977 | [[Vermischte Bemerkungen/Vermischte Bemerkungen]] | [[Übersicht/16-vermischte-bemerkungen]] |
|
||||
|
||||
## Was hier (noch) fehlt
|
||||
|
||||
Diese Werke sind im Vault **nicht** enthalten, weil sie urheberrechtlich oder editorisch noch geschützt sind:
|
||||
|
||||
- **Philosophische Bemerkungen** (PB, 1929–1930; Suhrkamp WA Bd. 2)
|
||||
- **Philosophische Grammatik** (PG, 1931–1934; Suhrkamp WA Bd. 4)
|
||||
- **Wittgenstein und der Wiener Kreis** (Waismann-Protokolle 1929–1932; Suhrkamp WA Bd. 3)
|
||||
- **Vorlesungen über die Grundlagen der Mathematik** (Cambridge 1939, ed. Diamond)
|
||||
- **Eine philosophische Betrachtung** (deutsche Brown-Book-Umarbeitung 1936; in Suhrkamp WA Bd. 5)
|
||||
- **Briefwechsel** (Russell, Engelmann, Ficker, Schlick, Sraffa, von Wright …)
|
||||
- **Notes on Logic** (1913), **Notes Dictated to Moore** (1914) — siehe Anhänge der erweiterten Tagebücher-Edition
|
||||
|
||||
## Atlas — werkübergreifende Themenanker
|
||||
|
||||
Querverbindungen zwischen den Werken. Liegen unter `Atlas/`.
|
||||
|
||||
- [[Atlas/bild-und-form]] — Bild, Bildtheorie, Form, logische Form (ABH ↔ PU ↔ PPF)
|
||||
- [[Atlas/sprachspiel-und-bedeutung]] — Sprachspiel, Bedeutung als Gebrauch, Familienähnlichkeit
|
||||
- [[Atlas/regel-und-folgen]] — Regelfolgen quer durch PU, BGM, Z
|
||||
- [[Atlas/solipsismus-und-grenze]] — Solipsismus, metaphysisches Subjekt, Welt-als-meine-Welt
|
||||
- [[Atlas/innen-aussen-empfindung]] — Schmerz, Empfindung, das Innere und Äußere (PU ↔ BPP ↔ LSPP)
|
||||
- [[Atlas/aspektsehen]] — Sehen-als, das Hase-Ente-Bild (PPF ↔ BPP ↔ LSPP)
|
||||
- [[Atlas/mathematik]] — Beweis, Regel, Operation, Funktion (ABH ↔ BGM)
|
||||
- [[Atlas/ethik-und-mystisches]] — Ethik, Wertfrei, Schweigen (ABH ↔ VüE ↔ VB)
|
||||
- [[Atlas/methode]] — übersichtliche Darstellung, Hypothesen-Verzicht, Therapie (BüF ↔ PU ↔ VB)
|
||||
- [[Atlas/personen]] — Augustinus, Frege, Russell, Moore, James, Goethe, Hertz, Boltzmann, Frazer, Köhler, Kierkegaard
|
||||
|
||||
## Konventionen
|
||||
|
||||
- **ABH** statt TLP/Tractatus.
|
||||
- Bemerkungen-Nummern zitieren in jeweiliger Edition: ABH `5.62`, PU `§ 201`, ÜG `§ 94`, BPP `I § 699`, etc.
|
||||
- Querverweise mit `[[Werk#Anker]]`.
|
||||
- Pro Werk gibt es:
|
||||
- eine Volltext-MD (`<Werk>/<Werk>.md`)
|
||||
- eine Metadaten-MD (`Übersicht/<NN>-<slug>.md`)
|
||||
- einen Begriffs-/Personenindex (`<Werk>/<Werk>__index.md`, falls vorhanden)
|
||||
|
||||
## Vault-Struktur
|
||||
|
||||
```
|
||||
wittgenstein-schriften/
|
||||
├── INDEX.md (diese Datei)
|
||||
├── Übersicht/ # Metadaten pro Werk
|
||||
│ ├── 01-logisch-philosophische-abhandlung.md
|
||||
│ ├── 02-tagebuecher-1914-1916.md
|
||||
│ └── …
|
||||
├── Atlas/ # Werkübergreifende Themenanker
|
||||
│ ├── bild-und-form.md
|
||||
│ ├── …
|
||||
└── <Werkname>/ # je Werk
|
||||
├── <Werkname>.md # Volltext
|
||||
└── <Werkname>__index.md # Begriffs-/Personenindex
|
||||
```
|
||||
@@ -0,0 +1,51 @@
|
||||
# Letzte Schriften über die Philosophie der Psychologie — Index
|
||||
|
||||
*Quelle: `wittgenstein-schriften/Letzte Schriften über die Philosophie der Psychologie/Letzte Schriften über die Philosophie der Psychologie.md` ( 3799 Zeilen). Index automatisch erzeugt (grep-basiert). Zeilennummern beziehen sich auf diese Datei. Für eine vollständige Übersicht der Verweise: Volltextsuche in Obsidian.*
|
||||
|
||||
## Struktur — Hauptüberschriften
|
||||
|
||||
- Z. 16: I
|
||||
- Z. 2390: II MS 169
|
||||
- Z. 3258: II MS 170
|
||||
- Z. 3294: II MS 171
|
||||
- Z. 3382: II MS 173
|
||||
- Z. 3624: II MS 174
|
||||
- Z. 3766: II MS 176
|
||||
|
||||
## Personen
|
||||
|
||||
- **James** (2) — Z. 2040,2712
|
||||
- **Russell** (1) — Z. 3740
|
||||
- **Moore** (4) — Z. 232,2498,3135,3352
|
||||
- **Bruckner** (1) — Z. 1632
|
||||
- **Beethoven** (2) — Z. 154,2418
|
||||
|
||||
## Begriffe (deutsch)
|
||||
|
||||
- **Bild** (97) — Z. 158,186,210,214,252,256,334,372 …
|
||||
- **Form** (25) — Z. 40,392,400,414,642,784,938,1050 …
|
||||
- **Gegenstand** (19) — Z. 382,424,682,980,994,1058,1066,1130 …
|
||||
- **Sachverhalt** (2) — Z. 120,330
|
||||
- **Tatsache** (6) — Z. 214,216,1944,2941,2949,3646
|
||||
- **Welt** (12) — Z. 508,510,2328,2809,2831,2995,3288,3306 …
|
||||
- **Satz** (50) — Z. 30,34,40,104,122,144,154,196 …
|
||||
- **Sinn** (34) — Z. 26,48,122,148,372,392,396,726 …
|
||||
- **Bedeutung** (60) — Z. 104,122,142,154,156,158,216,264 …
|
||||
- **Wahrheit** (8) — Z. 530,1796,2180,2276,2766,3248,3614,3736
|
||||
- **Funktion** (6) — Z. 686,688,700,714,722,820
|
||||
- **Beweis** (5) — Z. 110,1124,2724,3306,3772
|
||||
- **Mathematik** (11) — Z. 152,1520,1910,2262,2274,2278,2783,2793 …
|
||||
- **Zahl** (2) — Z. 354,2084
|
||||
- **Regel** (5) — Z. 286,356,404,2278,2360
|
||||
- **Sprachspiel** (35) — Z. 116,304,336,340,446,452,460,800 …
|
||||
- **Familienähnlichkeit** (1) — Z. 1666
|
||||
- **Schmerz** (33) — Z. 20,500,566,568,572,926,1298,1474 …
|
||||
- **Empfindung** (11) — Z. 898,920,926,1786,1792,1794,1842,2044 …
|
||||
- **Aspekt** (39) — Z. 192,424,440,1030,1048,1054,1068,1078 …
|
||||
- **Lebensform** (1) — Z. 3796
|
||||
- **Subjekt** (1) — Z. 3322
|
||||
- **Grenze** (4) — Z. 608,3107,3244,3796
|
||||
|
||||
## Themen-Tags
|
||||
|
||||
Siehe `Übersicht/` für vollständige Metadaten und `Atlas/` für werkübergreifende Themen.
|
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